Post by TotalInformation on Oct 14, 2003 15:32:38 GMT
I think this piece can help people better understand the milieu the dark actors behind The Beatles and Faul come from, so I'm posting it in the General section:
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Michael A. Hoffman II, wrote in "Secret Societies and Psychological Warfare" that "fabled alchemy had at least three goals to accomplish before the total decay of matter, the total breakdown we are witnessing all around us today, was fulfilled and these are:
"The Creation and Destruction of Primordial Matter.
"The Killing of the Divine King.
"The Bringing of Prima Materia to Prima Terra."
Hoffman writes:
[The following excerpt is copyright (c) 1995 by Michael A. Hoffman II. All Rights Reserved. Used by permission.]
. . .
The Creation and Destruction of Primordial Matter was accomplished at the White Head ("Ancient of Days"), at White Sands, New Mexico, at the Trinity Site. The Trinity Site itself is located at the beginning of an ancient Western road known in old Mexico as the Jornada del Muerto (the Journey of the Dead Man).
Early in this century a Freemason named Peter Kern was ordered to build a highly symbolic "Gate of Death" at a key point on this ancient trail. It was known as the Gate with a Thousand Doors.
At the front of this gate Kern was ceremonially murdered (decapitated) by a hooded executioner. Gary Trudeau satirized the Aztec-masonic Comazotz head-chopping cult of the American Southwest in a series of December, 1988 "Doonesbury" cartoons which depicted Skull and Bones initiates trying to dispose of a number of heads including that of Pancho Villa, a key political operative of the cryptocracy who was in fact also ritually decapitated.
Other occult rituals for the Creation and Destruction of Primordial Matter were played out in the general area of the 33rd degree of north parallel latitude in Truth or Consequences, New Mexico. The Trinity Site is also at this latitude.
. . .
The Killing of the King rite was accomplished at another Trinity site located approximately ten miles south of the 33rd degree of north parallel latitude between the Trinity River and the Triple Underpass at Dealey Plaza in Dallas, Texas. Dealy Plaza was the site of the first masonic temple in Dallas. In this spot, which had been known during the 19th century cowboy era as "Bloody Elm Street," the world leader who had become known as the "King of Camelot," President John Fitzgerald Kennedy, was shot to death.
. . .
The Alchemy of Ritual Murder
What ought to be unambiguous to any student of mass psychology, is the almost immediate decline of the American people in the wake of this shocking, televised slaughter. There are many indicators of the transformation. Within a year Americans had largely switched from softer-toned, naturally colored cotton clothing to garish-colored artificial polyesters. Popular music became louder, faster and more cacophonous. Drugs appeared for the first time outside the Bohemian subculture ghettos, in the mainstream. Extremes of every kind came into fashion. Revolutions in cognition and behavior were on the horizon, from the Beatles to Charles Manson, from Free Love to LSD.
The killers were not caught, the Warren Commission was a whitewash. There was a sense that the men who ordered the assassination were grinning somewhere over cocktails and out of this, a nearly-psychedelic wonder seized the American population, an awesome shiver before the realization that whoever could kill a president of the United States in broad daylight and get away with it, could get away with anything.
A hidden government behind the visible government of these United States became painfully obvious in a kind of subliminal way and lent an undercurrent of the hallucinogenic to our reality. Welcome to Oz thanks to the men behind Os-wald and Ruby.
There was a transfer of power in the collective group mind the American masses: from the public power of the elected front-man Chief Executive, to an unelected invisible college capable of terminating him with impunity.
For the first time in their history since the 1826 masonic assassination of writer William Morgan, Americans were forced to confront the vertiginous reality of a hidden power ruling their world. Sir James Frazer writing in The Golden Bough: A Study in Magic and Religion, explains that when the "divine king" is murdered by one who is himself stronger or craftier, those powers of "divinity" which were the king's are "Sympathetically" and "Contagiously" transferred from the vanquished to the victor.
The entry of this awareness into the subconscious Group "Dreaming" Mind of the American masses instituted a new simulacrum. The shocking introduction of a diametrically different, new "reality" is a classic scenario of another phase of alchemical programming known to the cryptocracy as "Clamores. "
Dave Marsh writing in Rolling Stone magazine (Feb. 24, 1977): "The Beatles have always had an intimate connection to the JFK assassination. He was shot the week before Thanksgiving 1963. By February 1964, the Beatles were number one in the national charts and the climactic appearance on Ed Sullivan's TV show occurred. Even Brian Epstein (the manager of the Beatles) believed the Kennedy assassination helped their rise -- the Beatles appeared to bind our wounds with their messages of joy and handholding... And the way was paved, replacing Camelot with Oz."
Now the American people were forced to confront a scary alternative reality, the reality of a shadow government, over which they had neither control or knowledge. The shepherding process was thus accelerated with a vengeance. Avant-garde advertising, music, politics and news would hereafter depict (especially in the electronic media) -- sometimes fleetingly, sometimes openly -- a "shadow side" of reality, an underground amoral "funhouse" current associated with extreme sex, extreme violence and extreme speed.
The static images of the suit-and-tie talking heads of establishment religion, government, politics and business were subtly shown to be subordinate to the Shadow State, which the American people were gradually getting a bigger glimpse of out of the corner of their collective eye. The interesting function of this phenomenon is that it simultaneously produces both terror and adulation and undercuts any offensive against it among its percipients, which does not possess the same jump-cut speed and funhouse ambiance.
There is a sense of existing in a palace of marvels manipulated by beautiful but Satanic princes possessed of so much knowledge, power and experience as to be vastly superior to the rest of humanity. They have been everywhere. They have done everything. They run the show which mesmerizes us. We are determined to watch it. We are transfixed and desperate to see their newest production, their latest thrilling revelation, even when the thrills are solely based upon the further confirmation of our dehumanization.
J.G. Ballard: "In this overlit realm ruled by images of the space race and the Vietnam War, the Kennedy assassination and the suicide of Marilyn Monroe, a unique alchemy of the imagination was taking place... The demise of feeling and emotion, the death of affect, presided like a morbid sun over the playground of that ominous decade."
The role assigned to us is that of zombies called upon by our shadow masters to perform bit parts and act as stock characters in their spectacular show. This mesmerizing process produces a demoralized, cynical, double-mind.
--"Secret Societies and Psychological Warfare," pp. 91-95.
("Secret Societies and Psychological Warfare" is available for U.S. $12.95 plus $2.50 shipping (overseas remit $5.00 shipping), from: Independent History and Research, Box 849, Coeur d'Alene, Idaho 83816.)
----------------------------------
Michael A. Hoffman II, wrote in "Secret Societies and Psychological Warfare" that "fabled alchemy had at least three goals to accomplish before the total decay of matter, the total breakdown we are witnessing all around us today, was fulfilled and these are:
"The Creation and Destruction of Primordial Matter.
"The Killing of the Divine King.
"The Bringing of Prima Materia to Prima Terra."
Hoffman writes:
[The following excerpt is copyright (c) 1995 by Michael A. Hoffman II. All Rights Reserved. Used by permission.]
. . .
The Creation and Destruction of Primordial Matter was accomplished at the White Head ("Ancient of Days"), at White Sands, New Mexico, at the Trinity Site. The Trinity Site itself is located at the beginning of an ancient Western road known in old Mexico as the Jornada del Muerto (the Journey of the Dead Man).
Early in this century a Freemason named Peter Kern was ordered to build a highly symbolic "Gate of Death" at a key point on this ancient trail. It was known as the Gate with a Thousand Doors.
At the front of this gate Kern was ceremonially murdered (decapitated) by a hooded executioner. Gary Trudeau satirized the Aztec-masonic Comazotz head-chopping cult of the American Southwest in a series of December, 1988 "Doonesbury" cartoons which depicted Skull and Bones initiates trying to dispose of a number of heads including that of Pancho Villa, a key political operative of the cryptocracy who was in fact also ritually decapitated.
Other occult rituals for the Creation and Destruction of Primordial Matter were played out in the general area of the 33rd degree of north parallel latitude in Truth or Consequences, New Mexico. The Trinity Site is also at this latitude.
. . .
The Killing of the King rite was accomplished at another Trinity site located approximately ten miles south of the 33rd degree of north parallel latitude between the Trinity River and the Triple Underpass at Dealey Plaza in Dallas, Texas. Dealy Plaza was the site of the first masonic temple in Dallas. In this spot, which had been known during the 19th century cowboy era as "Bloody Elm Street," the world leader who had become known as the "King of Camelot," President John Fitzgerald Kennedy, was shot to death.
. . .
The Alchemy of Ritual Murder
What ought to be unambiguous to any student of mass psychology, is the almost immediate decline of the American people in the wake of this shocking, televised slaughter. There are many indicators of the transformation. Within a year Americans had largely switched from softer-toned, naturally colored cotton clothing to garish-colored artificial polyesters. Popular music became louder, faster and more cacophonous. Drugs appeared for the first time outside the Bohemian subculture ghettos, in the mainstream. Extremes of every kind came into fashion. Revolutions in cognition and behavior were on the horizon, from the Beatles to Charles Manson, from Free Love to LSD.
The killers were not caught, the Warren Commission was a whitewash. There was a sense that the men who ordered the assassination were grinning somewhere over cocktails and out of this, a nearly-psychedelic wonder seized the American population, an awesome shiver before the realization that whoever could kill a president of the United States in broad daylight and get away with it, could get away with anything.
A hidden government behind the visible government of these United States became painfully obvious in a kind of subliminal way and lent an undercurrent of the hallucinogenic to our reality. Welcome to Oz thanks to the men behind Os-wald and Ruby.
There was a transfer of power in the collective group mind the American masses: from the public power of the elected front-man Chief Executive, to an unelected invisible college capable of terminating him with impunity.
For the first time in their history since the 1826 masonic assassination of writer William Morgan, Americans were forced to confront the vertiginous reality of a hidden power ruling their world. Sir James Frazer writing in The Golden Bough: A Study in Magic and Religion, explains that when the "divine king" is murdered by one who is himself stronger or craftier, those powers of "divinity" which were the king's are "Sympathetically" and "Contagiously" transferred from the vanquished to the victor.
The entry of this awareness into the subconscious Group "Dreaming" Mind of the American masses instituted a new simulacrum. The shocking introduction of a diametrically different, new "reality" is a classic scenario of another phase of alchemical programming known to the cryptocracy as "Clamores. "
Dave Marsh writing in Rolling Stone magazine (Feb. 24, 1977): "The Beatles have always had an intimate connection to the JFK assassination. He was shot the week before Thanksgiving 1963. By February 1964, the Beatles were number one in the national charts and the climactic appearance on Ed Sullivan's TV show occurred. Even Brian Epstein (the manager of the Beatles) believed the Kennedy assassination helped their rise -- the Beatles appeared to bind our wounds with their messages of joy and handholding... And the way was paved, replacing Camelot with Oz."
Now the American people were forced to confront a scary alternative reality, the reality of a shadow government, over which they had neither control or knowledge. The shepherding process was thus accelerated with a vengeance. Avant-garde advertising, music, politics and news would hereafter depict (especially in the electronic media) -- sometimes fleetingly, sometimes openly -- a "shadow side" of reality, an underground amoral "funhouse" current associated with extreme sex, extreme violence and extreme speed.
The static images of the suit-and-tie talking heads of establishment religion, government, politics and business were subtly shown to be subordinate to the Shadow State, which the American people were gradually getting a bigger glimpse of out of the corner of their collective eye. The interesting function of this phenomenon is that it simultaneously produces both terror and adulation and undercuts any offensive against it among its percipients, which does not possess the same jump-cut speed and funhouse ambiance.
There is a sense of existing in a palace of marvels manipulated by beautiful but Satanic princes possessed of so much knowledge, power and experience as to be vastly superior to the rest of humanity. They have been everywhere. They have done everything. They run the show which mesmerizes us. We are determined to watch it. We are transfixed and desperate to see their newest production, their latest thrilling revelation, even when the thrills are solely based upon the further confirmation of our dehumanization.
J.G. Ballard: "In this overlit realm ruled by images of the space race and the Vietnam War, the Kennedy assassination and the suicide of Marilyn Monroe, a unique alchemy of the imagination was taking place... The demise of feeling and emotion, the death of affect, presided like a morbid sun over the playground of that ominous decade."
The role assigned to us is that of zombies called upon by our shadow masters to perform bit parts and act as stock characters in their spectacular show. This mesmerizing process produces a demoralized, cynical, double-mind.
--"Secret Societies and Psychological Warfare," pp. 91-95.
("Secret Societies and Psychological Warfare" is available for U.S. $12.95 plus $2.50 shipping (overseas remit $5.00 shipping), from: Independent History and Research, Box 849, Coeur d'Alene, Idaho 83816.)
