Post by innspector on Mar 1, 2004 20:59:09 GMT
I´ve pretty much deciphered this song´s meaning. Please read this "essay":
Hey Jude (Hey John)
It you people get a heavy amount of food all at once, served and chewed, how would you take it? You would spit it or you would choke or get indigested.
The same case is with this 60IF. How if from the beginning it just bursts out, the whole thing, everything? would you believe it? No. You would take it as a ton
of bullsh*t, or, in the other hand, it would be too much
to digest, and this is a heavy load of decomposing meat.
I know Sun King has the real thing, and I know
why he has not release it to the public yet, and that is:
Not only to make people find for themselves, instead
of swallowing it served and chewed, but also
to make an attempt to find answers to the
big question: Why? Maybe he has many answers to
what and how, but not why.
Two heads think better than one, don’t they?
The song Hey Jude has not been given the attention
it deserves, for it is a guiding light in this whole situation.
It has been “badly interpreted”. It’s not for Brian, it’s not a call for God’s name, it’s not any Jewish thing.
First, here´s the lyrics:
Hey Jude
Hey Jude, don't make it bad.
Take a sad song and make it better.
Remember to let her into your heart,
Then you can start to make it better.
Hey Jude, don't be afraid.
You were made to go out and get her.
The minute you let her under your skin,
Then you begin to make it better.
And anytime you feel the pain, hey Jude, refrain,
Don't carry the world upon your shoulders.
For well you know that it's a fool who plays it cool
By making his world a little colder.
Hey Jude, don't let me down.
You have found her, now go and get her.
Remember to let her into your heart,
Then you can start to make it better.
So let it out and let it in, hey Jude, begin,
You're waiting for someone to perform with.
And don't you know that it's just you, hey Jude, you'll do,
The movement you need is on your shoulder.
Hey Jude, don't make it bad.
Take a sad song and make it better.
Remember to let her under your skin,
Then you'll begin to make it
Better better better better better better, oh.
Na na na, na na na na, na na na, hey Jude...
This song, like John himself said, was written about him, but
not in the sense that has been explained to the world. In the
light of PID, it makes perfect sense now. It’s William trying to
convince John to fill the gap Paul left in his soul with Yoko:
Hey John, chill out, don’t be so sad
Let Yoko into your life,
you'll see everything
will get better
Hey John,
Don’t be afraid,
your destiny is to be with Yoko
Let her into your heart,
it will be ok
Every time you feel the pain,
hey John, control yourself, don’t dare to blow the whistle, be careful
You have to stop
carrying Paul’s death and all it has brought
upon your shoulders, don´t feel responsible for “saving the world”
Remember, it´s dangerous and foolish
to play tricks on them putting clues and all that
Hey John, don’t let me down
You have found her, now get her
So let it go, let him go
and let Yoko in, stop waiting for Paul
Don’t you see that he’s dead???
You are alone now,
he won’t perform with you anymore
The movement you need is on your shoulder,
that is, move it so your burden will fall from
your back, let it go man, let it go,
it's up to you
Hey John, chill out, don’t be so sad
Let Yoko into your life,
you’ll see everything will get better
------------------------------------------
In 1968, John was a time bomb, the three of them were drained, but he was losing himself with so much grief, becoming dangerous to the cover up, so William and others, maybe even the two other Beatles, although not as clearly as William, encouraged John to open himself with Yoko, who he met before and was seen at this time as a remedy for John’s troubled heart, soul and mind. He was worrying them (in this specific sentence, "them" is for George and Ring, maybe William, but he was more worried about the cover up).
She appeared in John’s life in a specially dramatic moment (nov 66, William was just being brought into the first surgical procedure probably).John was literally allowed by them (this and the other references to "them" is for the ones moving the strings in this coverup) to get involved with her, hoping that he would get himself together (Cynthia was not helping him, at least in their eyes and very probably in John’s own) and carry on with the game.
Remember, John was still "waiting for someone to perform with" in 1968, the trip to India certainly was an attempt they made, encouraged by George obviously, to put Paul’s soul into William’s body. It’s failure hit John hard, because he realized
that Paul was dead and he wouldn’t come back. When you lose someone very near to you, there are different phases: the initial shock, negation, anger/guilty, acceptation (the worst, that’s when you “wake up”) and resignation. The majority of human beings overcome this phases when they can bury their dead, literally and psychologically. It can take from a couple of years to many.
But John…. he couldn’t bury Paul, and in addition had to deal to an almost surreal nightmare, having to be with “Paul”, talk with “Paul”, appear on TV with “Paul”, and so on. This was catastrophic.
1966 was the initial shock, 1967 was a kind of denial period, 1968 was the hardest to everybody, specially John, after the trip to India. He finally woke up to the reality of his "brother’s death and it was too much. 1969 was the “resignation”, part of it was the "distraction" Yoko represented, and it was probably one of the reasons for quitting the band in that year. She really helped him, but also worked for them because she "shut off the bomb".
The 70s passed by with John trying to fill the gap, carry on, cure this cancer for his soul, trying to forget The Beatles, an bittersweet dream. But it was in vain.
The worst year of all for John was 1980. He realized Yoko couldn’t cure him after all, couldn’t make him tear off from his soul the cancer Paul’s death and all it brought. It was a cancer consuming him. Nobody will make it disappear. Only blowing the whistle, uncovering the everything and "bury Paul properly", even knowing he would be killed for it, could bring him peace, because a chapter of his life was going
to end, and his life with it, and he knew it. But, at least, the world would be awakened and Paul could rest. So he decided to let it go, let it out, make a compromising album (which, by the way, was drastically censored, although some things
were left, like "Watching the wheels", and only because he was still alive to make sure of it), and do what could have been one of the most shocking press conferences in
history. He never made it. You know what happened.
Yoko's "Thin Ice" is her confession. She paid the price for walking in thin ice, by accepting what they assigned her: enter in John’s life, distract him from Paul’s death and to control him, watching his every move, in order to alert them
any serious attempt John could made to blow the whistle. She had the perfect profile: 8 years older than John, she was a good psychological compensation to John’s lack of a mother figure in his childhood, issue that he couldn’t overcome. Being far from the stereotype of an attractive but "dumb" woman, and appearing to John as a talented or at least appearing to be a talented conceptual artist, and specially appearing in John’s life
in very shocking period when he was the most vulnerable, was the right formula: mother figure+intelligent/creative/dreamer as John was. He “picked the bait”.
What wasn’t assigned to her was to fall in love with John.
Both were really in love. But in 1980, that serious attempt to blow the whistle came. John maybe suspected by then who Yoko really was, but he was decided to do it anyway, he was "committing suicide", giving his life for Paul, and everybody, even for Julian and Sean. Did Yoko made the alert? Did she made the alert and then tried to help John in some way to survive? Did she not made the alert and somebody else did? Who knows. . But one thing’s true. She paid the price for playing that game.
One interesting thing: That song (“Walking on thin Ice”) was put in the album (and “Watching the wheels” too), meaning that John was still alive and knew of it. Did both try to escape from their hands, their net? Did some confession took place, forgiveness, and an attempt to escape together blowing the whistle?
For me, that’s what most likely happened.
People: Walking on thin ice was re-released a year ago……. Yoko was in tears in the Grammy´s last month……….Faul saying “in the name of J, G, R and P”………. Let it Be Naked….. Number 1´s……. Anthology Book……U.S. Visit DVD….. Hard Day´s Night DVD……………….. the bomb about to explode and them extracting the last drop of milk from the cow?
Hey Jude (Hey John)
It you people get a heavy amount of food all at once, served and chewed, how would you take it? You would spit it or you would choke or get indigested.
The same case is with this 60IF. How if from the beginning it just bursts out, the whole thing, everything? would you believe it? No. You would take it as a ton
of bullsh*t, or, in the other hand, it would be too much
to digest, and this is a heavy load of decomposing meat.
I know Sun King has the real thing, and I know
why he has not release it to the public yet, and that is:
Not only to make people find for themselves, instead
of swallowing it served and chewed, but also
to make an attempt to find answers to the
big question: Why? Maybe he has many answers to
what and how, but not why.
Two heads think better than one, don’t they?
The song Hey Jude has not been given the attention
it deserves, for it is a guiding light in this whole situation.
It has been “badly interpreted”. It’s not for Brian, it’s not a call for God’s name, it’s not any Jewish thing.
First, here´s the lyrics:
Hey Jude
Hey Jude, don't make it bad.
Take a sad song and make it better.
Remember to let her into your heart,
Then you can start to make it better.
Hey Jude, don't be afraid.
You were made to go out and get her.
The minute you let her under your skin,
Then you begin to make it better.
And anytime you feel the pain, hey Jude, refrain,
Don't carry the world upon your shoulders.
For well you know that it's a fool who plays it cool
By making his world a little colder.
Hey Jude, don't let me down.
You have found her, now go and get her.
Remember to let her into your heart,
Then you can start to make it better.
So let it out and let it in, hey Jude, begin,
You're waiting for someone to perform with.
And don't you know that it's just you, hey Jude, you'll do,
The movement you need is on your shoulder.
Hey Jude, don't make it bad.
Take a sad song and make it better.
Remember to let her under your skin,
Then you'll begin to make it
Better better better better better better, oh.
Na na na, na na na na, na na na, hey Jude...
This song, like John himself said, was written about him, but
not in the sense that has been explained to the world. In the
light of PID, it makes perfect sense now. It’s William trying to
convince John to fill the gap Paul left in his soul with Yoko:
Hey John, chill out, don’t be so sad
Let Yoko into your life,
you'll see everything
will get better
Hey John,
Don’t be afraid,
your destiny is to be with Yoko
Let her into your heart,
it will be ok
Every time you feel the pain,
hey John, control yourself, don’t dare to blow the whistle, be careful
You have to stop
carrying Paul’s death and all it has brought
upon your shoulders, don´t feel responsible for “saving the world”
Remember, it´s dangerous and foolish
to play tricks on them putting clues and all that
Hey John, don’t let me down
You have found her, now get her
So let it go, let him go
and let Yoko in, stop waiting for Paul
Don’t you see that he’s dead???
You are alone now,
he won’t perform with you anymore
The movement you need is on your shoulder,
that is, move it so your burden will fall from
your back, let it go man, let it go,
it's up to you
Hey John, chill out, don’t be so sad
Let Yoko into your life,
you’ll see everything will get better
------------------------------------------
In 1968, John was a time bomb, the three of them were drained, but he was losing himself with so much grief, becoming dangerous to the cover up, so William and others, maybe even the two other Beatles, although not as clearly as William, encouraged John to open himself with Yoko, who he met before and was seen at this time as a remedy for John’s troubled heart, soul and mind. He was worrying them (in this specific sentence, "them" is for George and Ring, maybe William, but he was more worried about the cover up).
She appeared in John’s life in a specially dramatic moment (nov 66, William was just being brought into the first surgical procedure probably).John was literally allowed by them (this and the other references to "them" is for the ones moving the strings in this coverup) to get involved with her, hoping that he would get himself together (Cynthia was not helping him, at least in their eyes and very probably in John’s own) and carry on with the game.
Remember, John was still "waiting for someone to perform with" in 1968, the trip to India certainly was an attempt they made, encouraged by George obviously, to put Paul’s soul into William’s body. It’s failure hit John hard, because he realized
that Paul was dead and he wouldn’t come back. When you lose someone very near to you, there are different phases: the initial shock, negation, anger/guilty, acceptation (the worst, that’s when you “wake up”) and resignation. The majority of human beings overcome this phases when they can bury their dead, literally and psychologically. It can take from a couple of years to many.
But John…. he couldn’t bury Paul, and in addition had to deal to an almost surreal nightmare, having to be with “Paul”, talk with “Paul”, appear on TV with “Paul”, and so on. This was catastrophic.
1966 was the initial shock, 1967 was a kind of denial period, 1968 was the hardest to everybody, specially John, after the trip to India. He finally woke up to the reality of his "brother’s death and it was too much. 1969 was the “resignation”, part of it was the "distraction" Yoko represented, and it was probably one of the reasons for quitting the band in that year. She really helped him, but also worked for them because she "shut off the bomb".
The 70s passed by with John trying to fill the gap, carry on, cure this cancer for his soul, trying to forget The Beatles, an bittersweet dream. But it was in vain.
The worst year of all for John was 1980. He realized Yoko couldn’t cure him after all, couldn’t make him tear off from his soul the cancer Paul’s death and all it brought. It was a cancer consuming him. Nobody will make it disappear. Only blowing the whistle, uncovering the everything and "bury Paul properly", even knowing he would be killed for it, could bring him peace, because a chapter of his life was going
to end, and his life with it, and he knew it. But, at least, the world would be awakened and Paul could rest. So he decided to let it go, let it out, make a compromising album (which, by the way, was drastically censored, although some things
were left, like "Watching the wheels", and only because he was still alive to make sure of it), and do what could have been one of the most shocking press conferences in
history. He never made it. You know what happened.
Yoko's "Thin Ice" is her confession. She paid the price for walking in thin ice, by accepting what they assigned her: enter in John’s life, distract him from Paul’s death and to control him, watching his every move, in order to alert them
any serious attempt John could made to blow the whistle. She had the perfect profile: 8 years older than John, she was a good psychological compensation to John’s lack of a mother figure in his childhood, issue that he couldn’t overcome. Being far from the stereotype of an attractive but "dumb" woman, and appearing to John as a talented or at least appearing to be a talented conceptual artist, and specially appearing in John’s life
in very shocking period when he was the most vulnerable, was the right formula: mother figure+intelligent/creative/dreamer as John was. He “picked the bait”.
What wasn’t assigned to her was to fall in love with John.
Both were really in love. But in 1980, that serious attempt to blow the whistle came. John maybe suspected by then who Yoko really was, but he was decided to do it anyway, he was "committing suicide", giving his life for Paul, and everybody, even for Julian and Sean. Did Yoko made the alert? Did she made the alert and then tried to help John in some way to survive? Did she not made the alert and somebody else did? Who knows. . But one thing’s true. She paid the price for playing that game.
One interesting thing: That song (“Walking on thin Ice”) was put in the album (and “Watching the wheels” too), meaning that John was still alive and knew of it. Did both try to escape from their hands, their net? Did some confession took place, forgiveness, and an attempt to escape together blowing the whistle?
For me, that’s what most likely happened.
People: Walking on thin ice was re-released a year ago……. Yoko was in tears in the Grammy´s last month……….Faul saying “in the name of J, G, R and P”………. Let it Be Naked….. Number 1´s……. Anthology Book……U.S. Visit DVD….. Hard Day´s Night DVD……………….. the bomb about to explode and them extracting the last drop of milk from the cow?
A man who could no longer be kept in control! As far as I am concerned, Yoko is right up to her neck with John's assassination, and has a lot to answer for. 
