1994 McCartney Painting w/ fingerprints

[SilverBeatle]

Did you know Faul/Paul is a painter? I found the following example of his "work" on the web which includes one painting (see below link) with fingerprints included (now all we need are some pre-'66 prints to match)

www.siegen-wittgenstein.de/kultur/pmc/english/BYellow.htm

from the above link:

"McCartney's preoccupation with his Celtic ancestors is to be seen in a variety of facets of his artistic and musical activities. His symphonic work "Standing Stone", for example, deals with Celtic myths. One example from his series of paintings "Celtics" is "Yellow celt". The whole of the centre of the picture is taken up by an oversized statuesque figure, whose disproportionately long limbs - taken from a Celtic relic, just like the face and the "hat" - suggest an expressionistic use of shapes. This central figure has the same unmistakably Celtic features that McCartney has used in a number of pictures: the mask-like face with only a hint of a mouth, slits for eyes and a square nose-piece. Other primeval features are the dagger stuck in the waistband and the uninhibitedly displayed erection, both symbols of power and fertility. This figure is flanked on the right by the antique symbol of wisdom, a golden owl perched on an orb. It is beating its wings as though trying to impart a little of its wisdom. On the left-hand side facial features appear which also seem to be communicating with the figure in the centre. Perhaps a Celtic barbarian to contrast with the antique symbol of wisdom. The picture shows strong evidence of the painting process: scratches which have the effect of graphic lines, reinforcing the dynamism, and McCartney's fingerprints in the bottom left-hand corner. Here too the Celtic theme is embedded in an imaginary landscape."

On a personal note I do not much care for the artwork at all...think he should stick to music

[SilverBeatle]

On a related note here is the main page for all the Celtic McCartney paintings:

www.siegen-wittgenstein.de/kultur/pmc/english/galerie.htm

I'm sure many will find them interesting and possibly chock full o' clues

[Scatterdome]

Thanks for the link, SilverBeatle! I have an interpretation of one of the paintings from the link you provided in your second post on this thread, interpreted via “Ickean theory,” In other words, an interpretation that will sound sane only to readers familiar with the ideas that appear prominently in the recent books of David Icke and any of the other authors exploring that particular “conspiracy theory” (such as Jim Marrs, William Bramley, and William Cooper), or readers familiar with the world as described by those authors via other experiences other than reading a book about it.

This painting, from 1994, is called “Unspoken Words.”
www.siegen-wittgenstein.de/kultur/pmc/Bilder/A242.jpg[/img]
The unnatural, deep lines in the face in the center, for me, evoke a face changed and scarred by plastic surgery—or what someone who had had it done many times to look like someone else would feel like. Note that the center face is the only face of the three that has an open mouth, as if talking. The mouth of the face of the head on the right seems to be sealed with an “X,” and the mouth of the face on the left seems to be sealed with an “S,” the latter interpretation which is shared by the author of the website displaying these paintings (as I will highlight in boldface in this quote from the website) :

This convincing piece of work is the result of McCartney's experimentation with paint and canvas, perspectives and techniques. The artist makes playful use of the complementary colours blue and orange/yellow and turns the canvas round several times while painting, standing it upside down and on its side, thus giving it a well-balanced composition. It is characteristic of him that he breaks up the painted areas with elements which are scratched or drawn. In the centre of the picture is a head which is so boldly painted and so rich in graphic highlights that it seems to thrust forward out of the painting. The other two heads are less elaborate in form and are turned away. The face on the left has a mouth which is sealed with an "S", while the head on the right is an almost blank space, like a flat object on the canvas. Communication and the breakdown of communication are frequent themes in Paul McCartney's painting.

The sound of “S” is the consonant noise associated with reptiles in all languages… and what is that floating above that face on the left with the mouth sealed with an “S?” It appears to be the all-seeing “lizard” eye.

The left face could represent someone whose lips are sealed by the reptilians.

A stretch? Then hang on, there’s more. Here’s the cover of Red Rose Speedway, the third solo “Paul McCartney” album, again:


The Red Rose is not only a symbol of the Rosicrucians (a branch of the Freemasons who are in turn a branch of the Illuminati)—it is also a symbol of secrecy. (Sub rosa.) By posing on the cover of Red Rose Speedway with his mouth stuffed with a red rose, he seems to be saying that his lips are sealed. There might exist a deeper layer, meaning it could also symbolize that his lips are sealed because he is a Rosicrucian— in other words, someone whose lips are sealed by the reptilians. Or, he could be just symbolizing one ore more of those concepts in general without necessarily meaning that he is actually a Rosicrucian, but I think he’s saying that he is one.

I posted much on this (minus the references to reptilians) a while back, on the 11th post of page 4 of my theory. Here’s the direct link to page 4:
60if.proboards21.com/index.cgi?board=paul&thread=1063219993&action=display&start=45

Now here’s a couple of related bits for Icke readers:


This is the VeriChip Chipmobile, which travels around the country and promotes the company’s VeriChip microchip tracking implant, which is sold to people as a way to keep track of their children’s or elderly loved ones’ whereabouts. Read all about it at the official VeriChip website:
www.adsx.com/prodservpart/verichip.html
The chip is shaped like a grain of rice; the symbol in the center of the Chipmobile is supposed to be a “Verichip” surrounded by a circle. But what else does it look like?

Don’t see it yet? Well, here’s another hint for people who are both David Icke readers and hard-core Lord Of The Rings fans. In the books, Sauron’s physical appearance is never described. But the makers of the movie version had to visually depict him somehow; in flashbacks to when he had a physical body (cut down by Aragorn’s ancestor), he is depicted as a huge warrior completely covered in armor for the battle; but in the “present day” sequences (the bulk of the movie), when he is an entity apparently without a body, he is symbolized with the following depiction:



Get it?

One more thought for those familiar with my “Paul hired a replacement in ‘66” theory: what if this painting (“Unspoken Words”) was painted not by Faul with the subject matter of the painting being himself, but by James Paul in 1994, with the subject matter of the painting being Faul, and the painting being given by James Paul to Faul to present to the public as something painted by “Paul McCartney?” If the painting is from 1994, it probably is a Faul painting, but I thought I’d mention that other slight possibility...
(Once again, here’s the link to page 1 of my alternate (to 60IF) theory) :
60if.proboards21.com/index.cgi?board=paul&action=display&thread=1063219993

P.S. SilverBeatle: It will be interesting if the fingerprints in the painting “Yellow Celt” (the one from the link on your first post on this thread) are authentic Faul fingerprints. It would be even more interesting if the paragraph above this one (about “Unspoken Words”) turns out to be the case, (remote as that possibility might be) and we end up finding out that the fingerprints on “Yellow Celt” are James Paul’s! Wouldn’t that be a melon-scratcher….