Final Beatles Press Conference with JPM; Aug 1966

[Soothsayer]

[glow=red,2,300]Press Conference in Los Angeles, California (1966 August 28)[/glow]

Q: "What will the next movie project be for the Beatles?"

George: "Well, somebody has given us an idea, and he's working on the script. and if the script's nice then we may do it."


Q: "On the album cover that was banned here, the one with the dolls and meat- - Who's idea was it?"

John: "The photographer's who took it."

Q: "and what was it supposed to mean?"

John: "We never asked him, you know."

Q: "John, why did you decide to make (the movie), 'How I Won The War'?"

John: "Uhh, because he (Dick Lester) just asked me. and I just said, 'Yes.' and it was just like that."

Q: "Do you consider that now since you've been here in the United States for almost a week, that this religious issue is answered once and for all? Would you clarify and repeat the answer that you gave in Chicago?"

John: "I can't repeat it again because I don't know what I said, you know."

Q: "Well, would you clarify the remarks that were attributed to you?"

John: "You tell me what you think I meant, and I'll tell you whether I agree or not."

Q: "Well, some of the remarks attributed to you in some of the newspapers... the press here... concerning the remark that you made comparing the relative popularity of the Beatles with Jesus Christ... and that the Beatles were more popular. This created quite a controversy and a furor in this country, as you are obviously aware."

Paul: "Did you know that, John? You created a furor."

Q: "Now, would you clarify the remark?"

John: "Well, I've clarified it about 800 times, you know. I could have said TV or something else, you know... and that's as clear as it can be. I just used Beatles because I know about them a bit more than TV. But I could have said any number of things. (jokingly) It wouldn't have got as much publicity though."

Paul: (laughs)

Q: "My question is directed at all of you. Do you think this controversy has hurt your careers or has helped you professionally?"

Paul: "It hasn't helped or hindered it, I don't think. I think most sensible people took it for what it was... and it was only the biggots that took it up and thought it was, you know, on 'their' side... thinking, 'Aha! Here's something to get them for.' But when they read it, they saw that there was nothing wrong with it really. It's just that they thought that by John saying that we were more popular than Jesus - they thought, 'Ah, he's bound to be arrogant.' Did you see the fella on telly last night? He said it... on the Tonight Show."

Q: "John, who is your favorite group in the United States?"

John: "I've got a few, you know. Byrds, (Lovin) Spoonful, Mamas and Papas... I suppose... on that side of it."

Paul: "Beach Boys."

John: "and Miracles, etc., on the other side of it."



Q: "Will you be working seperately in the future?"

Paul: "All together, probably."

Q: "Yeah, but aren't... John Lennon, aren't you doing a picture alone?"

John: "Yeah, but I mean, that'll only be on the holiday bit - in between Beatle..."



Q: "Outside of Hollywood tonight you had to arrive in an armored truck, and the truck was swarmed by adoring fans. What is the situation wherever you go? Do you have an opportunity to walk out in the street without being recognized, or can you walk into a theatre to see a movie by yourselves?"

John: "If you go in when the lights are down you can go in."

Paul: "We can do that in England. It's easier in England than it is here. and it's mainly because we know England better."


Q: "Ringo, do you carry wallet pictures of your baby with you?"

Ringo: "No."

Q: "No? Why?"

Ringo: "I don't carry photos of anything, you know."

John: "He can remember."


Q: "Have you ever used or trained Beatle doubles as decoys on a..."

Ringo: "No."

John: "No."

Paul: "We tried to get Brian Epstein to do it... he wouldn't do it."

(laughter)



Q: "For those of us who have followed your career from the early days of Liverpool and Hamburg, and the pride in you being awarded the M.B.E., and the dismay of the unwarranted adverse publicity of late - the question is - individually what has been your most memorable occasions, and what has been the most disappointing?"

Paul: "Whew!"

John: "No idea."

Ringo: You know, there's so many."

George: "I think Manila has been the most disappointing."

John: "and the most exciting is yet to come."

Ringo: "...maybe the most disappointing."


Q: "George, before you left England you made a statement that you were going out to America to be beaten up by Americans. Do you mean to say in so many words that you feel the American fan is more a hostile fan than Britain..."

George: "No! Not at all."

Q: "...or more enthusiastic?"

George: "Actually I said that when we arrived back from Manilla. They said, 'What are you gonna do next?' and I said, 'We're gonna rest up before we go and get beaten up over there. Merely... Beaten up is... Really we just got sort of shoved around."

John: "Jostled."

George: "Jostled around in cars and in planes, so you know, that's all they did."

Q: Well, do think think that's more an enthusiatic fan than a hostile fan?"

George: "Uhh, there's definitely more enthusiastic fans. We've, I think..."

Paul: "But if anyone beat us up, it's not the fans, you know."

George: "Yeah. The fan thing... I think they proved it themselves after this. We found out that there are alot of the fans that are great. and all the ones we lost, I think, we don't really mind anyway. Because if they can't make up their minds... who needs 'em."

Q: "I wanted to ask about your image. The image scrimmage. and I'll direct this to anybody. How has your image changed since '63? Is it a little more... uhh... Is it the same, or...?"

George: "An image is how 'you' see us, so you know, you can only answer that."

John: "You're the only one that knows."

Q: "Who's that?"

John: "It's you."

Q: "Oh, well. No, I want to get your opinion. Is it a little tarnished now? Is it more realistic, or what would you say it is? I know I have my opinion."

John: "We're attacked for our opinions."

Paul: "We can't tell you our image, you know. We can only... Our image is what we read in the newspapers. We know our real image, which is nothing like our.... image... (looks confused by his own words, then laughs)

(laughter)

Paul: (laughing) "Forget it."

(laughter)

Q: "Who is the young man with the lengthy haircut to your right rear?"

John: "That's good old Dave, isn't it?"

Paul: "Where is he?"

(a young David Crosby, who had been standing with Brian Epstein, suddenly disappears behind a curtain to avoid attention)

John: "That's Dave from the Byrds. A mate of ours. Ahoy maties."

Paul: "Shy. He's shy."

Q: "Do you ever plan to record in the United States?"

Paul: "We tried actually, but it was a financial matter. Hmmm! hmmm! A bit of trouble over that one. No, we tried but uhh... it didn't come off."

George: "It entailed politics."

Paul: "Hush hush."

John: "No comment."


Q: "This question is directed to Paul and John. You have written quite a few numbers for Peter and Gordon, and I understand they don't like it because they think that it's you writing the song that makes it popular. Do you plan to write anymore songs for them?"

Paul: "They, you know... if we write songs for... They ask us to write songs for them if we do it. I mean, they don't mind it. They like it. But it's... People come up and say, 'Ah, we see your just getting in on the Lennon/McCartney bandwagon. That's why they did that one with our names not on it - 'Woman' - because everyone sort of thinks that's the reason that they get hits. It's not true really."

Q: "Gentlemen, what do you think would happen to you four if you came to an appearance without the armored truck and without police?"

Ringo: "We'd get in alot easier."

(laughter)

John: "We couldn't do it."

Paul: "It depends, you know. Sometimes we could have easily made it much better without the armored truck. But today, probably we wouldn't have."

Q: "Do you think you'd be physically harmed?"

Paul: "Oh... yeah. Probably"

John: "What do you think?"

Q: "Yes, I think so."

Paul: "Could be."

Q: "The 'New York Times' magazine of Sunday July 3 carried an article by Maureen Cleave in which she quotes the Beatles, not by name, as saying: 'Show business is an extention of the Jewish religion.'"

Paul: "Did she say that?"

Q: "Would you mind amplifying that?"

John: "Uhh, I said that to her as well. No comment."

Paul: "Ahhhhh... Come on, John. Tell 'em what you meant."

John: "I mean, you can read into it what you like, you know. It's just a little ol' statement. It's not very serious."

Q: "Paul, are you getting married? and if so, to who?"

Paul: "Ummm, I'm probably getting married, yes. But I mean, I don't know when. I've got no plans and things." **< 1st time JPM had admitted he may wed, always denied in other interviews>**

M.C: "Want to make these the last three questions."

Q: "I was wondering, under what condition did you write 'In His Own Write.' That, sort of, wild... those kicky words... I mean, how did you piece them together?"

John: "I don't know. I can't answer that. You know, it's just the way it happened. I didn't think, 'Now, how can I do this?'"

Q: "I mean, did you sit down as an author and uhhh..."

John: "Just like an author."

(laughter)

Q: "Any more books coming?"

John: "I hope so, you know."

Q: "John, I understand there's a suit pending against the Beatles by Peter Best who claims to be a former member of the Beatles. Is that true?"

John: "I think he's had a few... but we don't bother with those."

Q: "Is this the last question? Are all of your news conferences like this?"

John: "No."

Paul: (laughs) "That's not the last question." <??>

Q: "Well, I'm talking about all of the Reporters... or would-be Reporters and semi-Reporters that show up. Are you besieged by these kind of people throughout the tours that you travel here in the United States?"

John: "You can't always tell the would-be's from the real thing."

(laughter)

Q: "Is it this way when you travel in Europe?"

John: "Yes."

Paul: "But what's wrong with them? What's wrong with the crowd?"

Q: "Nothing. I'm just wondering if you have this many Reporters everywhere you go."

Paul: "No."

Ringo: "Not always."

George: "Some of them are just on-lookers."

M.C: "This is the last question."

Q: "'Tomorrow Never COMES' is the last song on the second side, right?"

Paul: "'Tomorrow Never Knows.'"

Q: "'Tomorrow Never Knows.' Thank you. Could you give me a vague idea of some of the tape manipulation you used when your voice drops into the track, John. Is that sung backwards by any chance, and recorded forwards?"

Paul: "No, it's not sung backwards. It's just, umm, recorded pretty straight. There's tape loops on it, which are a bit different. The words are from the [glow=red,2,300]'Tibetian Book of the Dead,'[/glow] so there. Well, nearly."



(Source: Original raw audio recordings of the press conference)

------------------------------------------------------------------------------------
[glow=red,2,300]The Psychedelic Experience[/glow]
A manual based on the Tibetan Book of the Dead By Timothy Leary, Ph.D., Ralph Metzner, Ph.D., & Richard Alpert, Ph.D.

The authors were engaged in a program of experiments with LSD and other psychedelic drugs at Harvard University, until sensational national publicity, unfairly concentrating on student interest in the drugs, led to the suspension of the experiments. Since then, the authors have continued their work without academic auspices.

This version of The Tibetan Book of the Dead is dedicated to

ALDOUS HUXLEY
July 26, 1894 - November 22, 1963

with profound admiration and gratitude.


"If you started in the wrong way," I said in answer to the investigator's questions, "everything that happened would be a proof of the conspiracy against you. It would all be self-validating. You couldn't draw a breath without knowing it was part of the plot."
"So you think you know where madness lies?"

My answer was a convinced and heartfelt, "Yes."

"And you couldn't control it?"

"No I couldn't control it. If one began with fear and hate as the major premise, one would have to go on the conclusion."

"Would you be able," my wife asked, " to fix your attention on what The Tibetan Book of the Dead calls the Clear Light?"

I was doubtful.

"Would it keep the evil away, if you could hold it? Or would you not be able to hold it?"

I considered the question for some time. "Perhaps," I answered at last, "perhaps I could - but only if there were somebody there to tell me about the Clear Light. One couldn't do it by oneself. That's the point, I suppose, of the Tibetan ritual - somebody sitting there all the time and telling you what's what."

(Doors of Perception, 57-58)

--------------------------------------------------------------------------------
[glow=red,2,300]The Tibetan Book of the Dead[/glow]; www.lycaeum.org/books/books/psychedelic_experience/tib2.htm

[glow=red,2,300]Some Technical Comments about Psychedelic Sessions[/glow]

1. Use of This Manual
The most important use of this manual is for preparatory reading. Having read the Tibetan Manual, one can immediately recognize symptoms and experiences which might otherwise be terrifying, only because of lack of understanding as to what was happening. Recognition is the key word.
Secondly, this guidebook may be used to avoid paranoid traps or to regain the First Bardo transcendence if it has been lost. If the experience starts with light, peace, mystic unity, understanding, and if it continues along this path, then there is no need to remember this manual of have this manual re-read to you. Like a road map, we consult it only when lost, or when we wish to change course. Usually, however, the ego clings to its old games. There may be momentary discomfort or confusion. If this happens, the others present should not be sympathetic or show alarm. They should be prepared to stay calm and restrain their "helping games." In particular, the "doctor" role should be avoided.

If at any time you find yourself struggling to get back to routine reality, you can (by pre-arrangement) have a more experienced person, a fellow-voyager, or a trusted observer read parts of this manual to you.

Passages suitable for reading during the session are given in Part IV below. Each major descriptive section of the Tibetan Book has an appropriate instruction text. One may want to pre-record selected passages and simply flick on the recorder when desired. The aim of these instruction texts is always to lead the voyager back to the original First Bardo transcendence and to help maintain that as long as possible.

A third use would be to construct a "program" for a session using passages from the text. The aim would be to lead the voyager to one of the visions deliberately, or through a sequence of visions. The guide or friend could read the relevant passages, show slides or pictures or symbolic figures of processes, play carefully selected music, etc. One can envision a high art of programming psychedelic sessions, in which symbolic manipulations and presentations would lead the voyager through ecstatic visionary Bead Games.


2. Planning a Session
In planning a session, the first question to be decided is "what is the goal?" Classic Hinduism suggest four possibilities:

For increased personal power, intellectual understanding, sharpened insight into self and culture, improvement of life situation, accelerated learning, professional growth.
For duty, help of others, providing care, rehabilitation, rebirth for fellow men.
For fun, sensuous enjoyment, aesthetic pleasure, interpersonal closeness, pure experience.
For transcendence, liberation from ego and space-time limits; attainment of mystical union.
This manual aims primarily at the latter goal - that of liberation-enlightenment. This emphasis does not preclude attainment of the other goals - in fact, it guarantees their attainment because illumination requires that the person be able to step out beyond game problems of personality, role, and professional status. The initiate can decide beforehand to devote the psychedelic experience to any of the four goals. The manual will be of assistance in any event.

If there are several people having a session together they should either agree collaboratively on a goal, or at least be aware of each other's goals. If the session is to be "programmed" then the participants should either agree on or design a program collaboratively, or they should agree to let one member of the group do the programming. Unexpected or undesired manipulations by one of the participants can easily "trap the other voyagers into paranoid Third Bardo delusions.

The voyager, especially in an individual session, may also wish to have either an extroverted or an introverted experience. In the extroverted transcendent experience, the self is ecstatically fused with external objects (e.g. flowers, or other people). In the introverted state, the self is ecstatically fused with internal life processes (lights, energy-waves, bodily events, biological forms, etc.). Of course, either the extroverted or the introverted state may be negative rather than positive, depending on the attitude of the voyager. Also it may be primarily conceptual or primarily emotional. The eight types of experience thus derived (four positive and four negative) have been described more fully in Visions 2 to 5 of the Second Bardo.

For the extroverted mystic experience one would bring to the session objects or symbols to guide the awareness in the desired direction. Candles, pictures,books, incense, music or recorded passages. An introverted mystic experience requires the elimination of all stimulation; no light, no sound, no smell, no movement.

The mode of communication with the other participants should also be agreed on beforehand. You may agree on certain signals, silently indicating companionship. You may arrange for physical contact - clasping hands, embracing. These means of communication should be pre-arranged to avoid game-misinterpretations that may develop during the heightened sensitivity of ego-transcendence.


3. Drugs and Dosages
A wide variety of chemicals and plants have psychedelic ("mind manifesting") effects. The most widely used substances are listed here together with dosages adequate for a normal adult of average size. The dosage to be taken depends, of course, on the goal of the session. Two figures are therefore given. The first column indicates a dosage which should be sufficient for an inexperienced person to enter the transcendental worlds described in this manual. The second column gives a smaller dosage figure, which may be used by more experienced persons or by participants in a group session.

LSD-25 (lysergic acid diethylamide) 200-500 micrograms 100-200 micrograms
Mescaline 600-800 mg 300-500 mg
Psilocybin 40-60 mg 20-30 mg

The time of onset, when the drugs are taken orally on an empty stomach, is approximately 20-30 minutes for LSD and psilocybin, and one to two hours for mescaline. The duration of the session is usually eight to ten hours for LSD and mescaline, and five to six hours for psilocybin. DMT (dimethyltryptamine), when injected intramuscularly in dosages of 50-60 mg, gives an experience approximately equivalent to 500 micrograms of LSD, but which lasts only 30 minutes.

Some person have found it useful to take other drugs before the session. A very anxious person, for example, may take 30 to 40 mg of Librium about on hour earlier, to calm and relax himself. Methedrine has also been used to induced a pleasant, euphoric mood prior to the session. Sometimes, with excessively nervous persons, it is advisable to stagger the drug administration: for example, 200 micrograms of LSD may be taken initially, and a "booster" of another 200 micrograms may be taken after the person has become familiar with some of the effects of the psychedelic state. Nausea may sometimes occur. Usually this is a mental symptom, indicating fear, and should be regarded as such. Sometimes, however, particularly with the use of morning-glory seeds and peyote, the nausea can have a physiological cause. Anti-nauseant drugs such as Marezine, Bonamine, Dramamine or Tigan, may be taken beforehand to prevent this.

If a person becomes trapped in a repetitive game-routine during a session, it is sometimes possible to "break the set" by administering 50 mg of DMT, or even 25 mg of Dexedrine or Methedrine. Such additional dosages, of course, should only be given with the person's own knowledge and consent.

Should external emergencies call for it, Thorazine (100-200 mg, i.m.) or other phenothiazine-type tranquilizers will terminate the effects of psychedelic drugs. Antidotes should not be used simply because the voyager or the guide is frightened. Instead, the appropriate sections of the Third Bardo should be read. [Further, more detailed suggestions concerning dosage may be found in a paper by Gary M. Fisher: "Some Comments Concerning Dosage Levels of Psychedelic Compounds for Psychotherapeutic Experiences." Psychedelic Review, I, no.2, pp. 208-218, 1963.]


4. Preparation
Psychedelic chemicals are not drugs in the usual sense of the word. There is no specific reaction, no expected sequence of events, somatic or psychological.
The specific reaction has little to do with the chemical and is chiefly a function of set and setting; preparation and environment. The better the preparation, the more ecstatic and revelatory the session. In initial sessions and with unprepared persons, setting - particularly the actions of others - is most important. With persons who have prepared thoughtfully and seriously, the setting is less important.

There are two aspects of set: long-range and immediate.

Long-range set refers to the personal history, the enduring personality. The kind of person you are - your fears, desires, conflicts, guilts, secret passions - determines how you interpret and manage any situation you enter, including a psychedelic session. Perhaps more important are the reflex mechanisms used when dealing with anxiety - the defenses, the protective maneuvers typically employed. Flexibility, basic trust, religious faith, human openness, courage, interpersonal warmth, creativity, are characteristics which allow for fun and easy learning. Rigidity, desire to control, distrust, cynicism, narrowness, cowardice, coldness, are characteristics which make any new situation threatening. Most important is insight. No matter how many cracks in the record, the person who has some understanding of his own recording machinery, who can recognize when he is not functioning as he would wish, is better able to adapt to any challenge - even the sudden collapse of his ego.

The most careful preparation would include some discussion of the personality characteristics and some planning with the guide as to how to handle expected emotional reactions when they occur.

Immediate set refers to the expectations about the session itself. Session preparation is of critical importance in determining how the experience unfolds. People tend naturally to impose their personal and social game perspectives on any new situation. Careful thought should precede the session to prevent narrow sets being imposed.

Medical expectations. Some ill-prepared subjects unconsciously impose a medical model on the experience. They look for symptoms, interpret each new sensation in terms of sickness/health, place the guide in a doctor-role, and, if anxiety develops, demand chemical rebirth - i.e., tranquilizers. Occasionally one hears of casual, ill-planned, non-guided sessions which end in the subject demanding to be hospitalized, etc. It is even more problem-provoking if the guide employs a medical model, watches for symptoms, and keeps hospitalization in mind to fall back on, as protection for himself.

Rebellion against convention may be the motive of some people who take the drug. The idea of doing something "far out" or vaguely naughty is a naive set which can color the experience.

Intellectual expectations are appropriate when subjects have had much psychedelic experience. Indeed, LSD offers vast possibilities for accelerated learning and scientific-scholarly research. But for initial sessions, intellectual reactions can become traps. The Tibetan Manual never tires of warning about the dangers of rationalization. "Turn you mind off" is the best advice for novitiates. Control of your consciousness is like flight instruction. After you have learned how to move your consciousness around - into ego-loss and back, at will - then intellectual exercises can be incorporated into the psychedelic experience. The last stage of the session is the best time to examine concepts. The objective of this particular manual is to free you from you verbal mind for as long as possible.

<Cont below..>

[Soothsayer]

Religious expectations invite the same advice as intellectual set. Again, the subject in early sessions is best advised to float with the stream, stay "up" as long as possible, and postpone theological interpretations until the end of the session, or to later sessions.

Recreational and aesthetic expectations are natural. The psychedelic experience, without question, provides ecstatic moments which dwarf any personal or cultural game. Pure sensation can capture awareness. Interpersonal intimacy reaches Himalayan heights. Aesthetic delights - musical, artistic, botanical, natural - are raised to the millionth power. But all these reactions can be Third Bardo ego games: "I am having this ecstasy. How lucky I am!" Such reactions can become tender traps, preventing the subject from reaching pure ego-loss (First Bardo) or the glories of Second Bardo creativity.

Planned expectations. This manual prepares the person for a mystical experience according to the Tibetan model. The Sages of the Snowy Ranges have developed a most sophisticated and precise understanding of human psychology, and the student who studies this manual will become oriented for a voyage which is much richer in scope and meaning than any Western psychological theory. We remain aware, however, that the Bardo Thodol model of consciousness is a human artifact, a Second Bardo hallucination, however grand its scope.

Some practical recommendations. [glow=red,2,300]The subject should set aside at least three days for his experience;[/glow] a day before, the session day, and a follow-up day. This scheduling guarantees a reduction in external pressure and a more sober commitment to the voyage.

Talking to others who have taken the voyage is excellent preparation, although the Second Bardo hallucinatory quality of all descriptions should be recognized. Observing a session is another valuable preliminary. The opportunity to see others (?)during and after a session shapes expectations.

Reading books about mystical experience is a standard orientation procedure. Reading the accounts of others' experiences is another possibility (Aldous Huxley, Alan Watts, and Gordon Wasson have written powerful accounts).

Meditation is probably the best preparation for a psychedelic session. Those who have spent time in the solitary attempt to manage the mind, to eliminate thought and to reach higher stages of concentration, are the best candidates for a psychedelic session. When the ego-loss state occurs, they are ready. They recognize the process as an end eagerly awaited, rather than a strange event ill-understood.


5. The Setting
The first and most important thing to remember, in the preparation for a psychedelic session, is to provide a setting which is removed from one's usual social and interpersonal games and which is as free as possible from unforeseen distractions and intrusions. The voyager should make sure that he will not be disturbed by visitors or telephone calls, since these will often jar him into hallucinatory activity. Trust in the surroundings and privacy are necessary.
A period of time (usually at least three days) should be set aside in which the experience will run its natural course and there will be sufficient time for reflections and meditation. It is important to keep schedules open for three days and to make these arrangements beforehand. A too-hasty return to game-involvements will blur the clarity of the vision and reduce the potential for learning. If the experience was with a group, it is very useful to stay together after the session in order to share and exchange experiences.

There are differences between night sessions and day sessions. Many people report that they are more comfortable in the evening and consequently that their experiences are deeper and richer. The person should choose the time of day that seems right according to his own temperament at first. Later, he may wish to experience the difference between night and day sessions.

Similarly, there are differences between sessions out-of-doors and indoors. Natural settings such as gardens, beaches, forests, and open country have specific influences which one may or may not wish to incur. The essential thing is to feel as comfortable as possible in the surroundings, whether in one's living room or under the night sky. A familiarity with the surroundings may help one to feel confident in hallucinatory periods. If the session is held indoors, one must consider the arrangement of the room and the specific objects one may wish to see and hear during the experience.

Music, lighting, the availability of food and drink, should be considered beforehand. Most people report no desire for food during the height of the experience, and then, later on, prefer to have simple, ancient foods like bread, cheese, wine, and fresh fruit. Hunger is usually not the issue. The senses are wide open, and the taste and smell of a fresh orange are unforgettable.

In group sessions, the arrangement of the room is quite important. People usually will not feel like walking or moving very much for a long period, and either beds or mattresses should be provided. The arrangement of the beds or mattresses can vary. One suggestion is to place the heads of the beds together to form a star pattern. Perhaps one may want to place a few beds together and keep one or two some distance apart for anyone who wishes to remain aside for some time. Often, the availability of an extra room is desirable for someone who wishes to be in seclusion for a period.

If it is desired to listen to music or to reflect on paintings or religious objects, one should arrange these so that everyone in the group feels comfortable with what they are hearing or seeing. In a group session, all decisions about goals, setting, etc. should be made with collaboration and openness.

6. The Psychedelic Guide
For initial sessions, the attitude and behavior of the guide are critical factors. He possesses enormous power to shape the experience. With the cognitive mind suspended, the subject is in a heightened state of suggestibility. The guide can move consciousness with the slightest gesture or reaction.
The key issue here is the guide's ability to turn off his own ego and social games - in particular, to muffle his own power needs and his fears. To be there relaxed, solid, accepting, secure. The Tao wisdom of creative quietism. To sense all and do nothing except to let the subject know your wise presence.

A psychedelic session lasts up to twelve hours and produces moments of intense, intense, INTENSE reactivity. The guide must never be bored, talkative, intellectualizing. He must remain calm during the long periods of swirling mindlessness.

He is the ground control in the airport tower. Always there to receive messages and queries from high-flying aircraft. <?>, 2 are flying, 2 are not>; Always ready to help navigate their course, to help them reach their destination. An airport-tower-operator who imposes his own personality, his own games upon the pilot is unheard of. The pilots have their own flight plan, their own goals, and ground control is there, ever waiting to be of service.

The pilot is reassured to know that an expert who has guided thousands of flights is down there, available for help. But suppose the flier has reason to suspect that ground control is harboring his own motives and might be manipulating the plane toward selfish goals. The bond of security and confidence would crumble.

It goes without saying, then, that the guide should have had considerable experience in psychedelic sessions himself and in guiding others. To administer psychedelics without personal experience is unethical and dangerous.

The greatest problem faced by human beings in general, and the psychedelic guide in particular, is fear. Fear of the unknown. Fear of losing control. Fear of trusting the genetic process and your companions. From our own research studies and our investigations into sessions run by others - serious professionals or adventurous bohemians - we have been led to the conclusion that almost every negative LSD reaction has been caused by fear on the part of the guide which has augmented the transient fear of the subject. When the guide acts to protect himself, he communicates his concern to the subject.

The guide must remain passively sensitive and intuitively relaxed for several hours. This is a difficult assignment for most Westerners. For this reason, we have sought ways to assist the guide in maintaining a state of alert quietism in which he is poised with ready flexibility. The most certain way to achieve this state is for the guide to take a low dose of the psychedelic with the subject. Routine procedure is to have one trained person participate in the experience and one staff member present in ground control without psychedelic aid.

The knowledge that one experienced guide is "up" and keeping the subject company, is of inestimable value; intimacy and communication; cosmic companionship; the security of having a trained pilot flying at your wing tip; the scuba diver's security in the presence of an expert comrade in the deep.

It is not recommended that guides take large doses during sessions for new subjects. The less experienced he is, the more likely will the subject impose Second and Third Bardo hallucinations. These intense games affect the experienced guide, who is likely to be in a state of mindless void. The guide is then pulled into the hallucinatory field of the subject, and may have difficulty orienting himself. During the First Bardo there are no familiar fixed landmarks, no place to put your foot, no solid concept upon which to base your thinking. All is flux. Decisive Second Bardo action on the part of the subject can structure the guide's flow if he has taken a heavy dose.

The role of the psychedelic guide is perhaps the most exciting and inspiring role in society. He is literally a liberator, one who provides illumination, one who frees men from their life-long internal bondage. To be present at the moment of awakening, to share the ecstatic revelation when the voyager discovers the wonder and awe of the divine life-process, is for many the most gratifying part to play in the evolutionary drama. The role of the psychedelic guide has a built-in protection against professionalism and didactic oneupmanship. The psychedelic liberation is so powerful that it far outstrips earthly game ambitions. Awe and gratitude - rather than pride - are the rewards of this new profession.

7. Composition of the Group
The most effective use of this manual will be for the experience of one person with a guide. However, the manual will be useful in a group also. When used in a group session, the following suggestions will be most helpful in planning.
The important thing to remember in organizing a group session is to have knowledge of and trust in the fellow voyagers. Trust in oneself and in one's companions is essential. If preparing for an experience with strangers, it is very important to share as much time and space as possible with them prior to the session. The participants should set collaborative goals and explore mutually their expectations and feelings and past experiences.

The size of the group should depend to some extent on how much experience the participants have had. Initially, small groups are preferable to larger ones. In any case, group experiences exceeding six or seven people are demonstrably less profound and generate more paranoid hallucinations. If planning for a group session of five or six people, it is preferable to have at least two guides present. One will take the psychedelic substance and the other, who does not, serves as a practical guide to take care of such concerns as changing the recordings, providing food, etc., and if necessary or desired, reading selections from the manual. If it is possible, one of the guides should be an experienced woman who can provide an atmosphere of spiritual nurturing and comfort.

It is sometimes advisable that the initial session of married couples be separate in order that the exploration of their marriage game not dominate the session. With some experience in consciousness-expansion, the marriage game like others may be explored for any purpose - increased intimacy, clearer communication, exploration of the foundations of the sexual, mating relationship, etc.
<Cont..>

[Soothsayer]

Instructions for Use during a Psychedelic Session
O (name of voyager)
The time has come for you to seek new levels of reality.
Your ego and the (name) game are about to cease.
Your are about to be set face to face with the Clear Light
Your are about to experience it in its reality.
In the ego-free state, wherein all things are like the void and cloudless sky,
And the naked spotless intellect is like a transparent vacuum;
At this moment, know yourself and abide in that state.
O (name of voyager),
That which is called ego-death is coming to you.
Remember:
This is now the hour of death and rebirth;
Take advantage of this temporary death to obtain the perfect state - Enlightenment.
Concentrate on the unity of all living beings.
Hold onto the Clear Light.
Use it to attain understanding and love.
If you cannot maintain the bliss of illumination and if you are slipping back into contact with the external world,
Remember:
The hallucinations which you may now experience,
The visions and insights,
Will teach you much about yourself and the world.
The veil of routine perception will be torn from you eyes.
Remember the unity of all living things.
Remember the bliss of the Clear Light.
Let it guide you through the visions of this experience.
Let it guide you through your new life to come.
If you feel confused; call upon the memory of your friends and the power of the person whom you most admire.
O (name),
Try to reach and keep the experience of the Clear Light.
Remember:The light is the life energy.
The endless flame of life.
An ever-changing surging turmoil of color may engulf your vision.
This is the ceaseless transformation of energy.
The life process.
Do not fear it.
Surrender to it. Join it.
It is part of you.
You are part of it.
Remember also:
Beyond the restless flowing electricity of life is the ultimate reality -The Void.
Your own awareness, not formed into anything possessing form or color, is naturally void.
The Final Reality.
The All Good.
The All Peaceful.
The Light.
The Radiance.
The movement is the fire of life from which we all come.
Join it. It is part of you.
Beyond the light of life is the peaceful silence of the void.
The quiet bliss beyond all transformations.
The Buddha smile.
The Void is not nothingness.
The Void is beginning and end itself.
Unobstructed; shining, thrilling, blissful.
Diamond consciousness.
The All-Good Buddha.
Your own consciousness, not formed into anything,
No thought, no vision, no color, is void.
The intellect shining and blissful and silent -
This is the state of perfect enlightenment.
Your own consciousness, shining, void and inseparable from the great body of radiance, has no birth, nor death.
It is the immutable light which the Tibetans call Buddha Amitabha,
The awareness of the formless beginning.
Knowing this is enough.
Recognize the voidness of your own consciousness to be Buddhahood.
Keep this recognition and you will maintain the state of the divine mind of the Buddha.
Second Bardo Preliminary Instructions
Remember:
In this session you experience three Bardos,
Three states of ego-loss.
First there is the Clear Light of Reality.
Next there are fantastically varied game hallucinations.
Later you will reach the stage of Re-Entry
Of regaining an ego.
O friend,
You may experience ego-transcendence,
Departure from your old self.
But you are not the only one.
It comes to all at some time.
You are fortunate to have this gratuitously given rebirth experience.
Do not cling in fondness and weakness to your old self.
Even though you cling to your mind, you have lost the power to keep it.
You can gain nothing by struggling in this hallucinatory world.
Be not attached. Be not weak.
Whatever fear or terror may come to you
Forget not these words.
Take their meaning into your heart.
Go forward.
Herein lies the vital secret of recognition.
O friend, remember:
When body and mind separate, you experience a glimpse of the pure truth -
Subtle, sparkling, bright,
Dazzling, glorious, and radiantly awesome,
In appearance like a mirage moving across a landscape in springtime.
One continuous stream of vibrations.
Be not daunted thereby,
Nor terrified, nor awed.
That is the radiance of your own true nature.
Recognize it.
From the midst of that radiance
Comes the natural sound of reality,
Reverberating like a thousand thunders simultaneously sounding.
That is the natural sound of your own life process.
Be not daunted thereby,
Nor terrified, nor awed.
It is sufficient for you to know that these apparitions are your own thought-forms.
If you do not recognize your own thought forms,
If you forget your preparation,
The lights will daunt you,
The sounds will awe you,
The rays will terrify you,
The people around you will confuse you.
Remember the key to the teachings.

O friend,
These realms are not come from somewhere outside your self,
They come from within and shine upon you.
The revelations too are not come from somewhere else;
They exist from eternity within the faculties of your own intellect.
Know them to be of that nature.

The key to enlightenment and serenity during this period of ten thousand visions is simply this:
Relax.
Merge yourself with them.
Blissfully accept the wonders of your own creativity.
Become neither attached nor afraid,
Neither be attracted nor repulsed.
Above all, do nothing about the visions.
They exist only within you.

Instructions for Vision 1: The Source (Eyes closed, external stimuli ignored)
O nobly-born, listen carefully:
The Radiant Energy of the Seed
From which come all living forms,
Shoots forth and strikes against you
With a light so brilliant that you will scarcely be able to look at it.
Do not be frightened.
This is the Source Energy which has been radiating for billions of years,
Ever manifesting itself in different forms.
Accept it.
Do not try to intellectualize it.
Do not play games with it.
Merge with it.
Let it flow through you.
Lose yourself in it.
Fuse in the Halo of Rainbow Light
Into the core of the energy dance.
Obtain Buddhahood in the Central Realm of the Densely Packed.

Instructions for Physical Symptoms
O friend, listen carefully.
The bodily symptoms you are having are not drug-effects.
They indicate that you are struggling against the awareness of feelings which surpass your normal experience.
You cannot control these universal energy-waves.
Let the feelings melt all over you.
Become part of them.
Sink into them and through them.
Allow yourself to pulsate with the vibrations surrounding you.
Relax.
Do not struggle.
Your symptoms will disappear as soon as all trace of ego-centered striving disappears.
Accept them as the message of the body.
Welcome them. Enjoy them.

Instructions for Vision 2: The Internal Flow of Archetypal Processes (Eyes closed, external stimuli ignored; intellectual aspects)
O nobly born, listen carefully:
The life flow is whirling through you.
An endless parade of pure forms and sounds,
Dazzlingly brilliant,
Ever-changing.
Do not try to control it.
Flow with it.
Experience the ancient cosmic myths of creation and manifestation.
Do not try to understand;
There is plenty of time for that later.
Merge with it.
Let it flow through you.
There is no need to act or think.
You are being taught the great lessons of evolution, creation, reproduction.
If you try to stop it, you may fall into hell-worlds and endure unbearable misery generated by your own mind.
Avoid game interpretations.
Avoid thinking, talking and doing.
Keep faith in the life flow.
Trust your companions on this watery journey.
Merge in Rainbow Light,
Into the Heart of The River of Created Forms.
Obtain Buddhahood in the Realm called Pre-Eminently Happy.

Instructions for Vision 3: The Fire-Flow of Internal Unity (Eyes closed, external stimuli ignored, emotional aspects)
O nobly born, listen carefully:
You are flowing outward into the fluid unity of life.
The ecstasy of organic fire glows in every cell.
The hard, dry, brittle husks of your ego are washing out,
Washing out to the endless sea of creation.
Flow with it.
Feel the pulse of the sun's heart.
Let the red Buddha Amitabha sweep you along.
Do not fear the ecstasy.
Do not resist the flow.
Remember, all the exultant power comes from within.
Release your attachment.
Recognize the wisdom of your own blood.
Trust the tide-force pulling you into unity with all living forms.
Let your heart burst in love for all life.
Let your warm blood gush out into the ocean of all life.
Do not be attached to the ecstatic power;
It comes from you.
Let it flow.
Do not try to hold on to your old bodily fears.
Let your body merge with the warm flux.
Let your roots sink into the warm life body.
Merge into the Heart-Glow of the Buddha Amitabha.
Float in the Rainbow Sea.
Attain Buddhahood in the Realm named Exultant Love.

Instructions for Vision 4: The Wave-Vibration Structure of External Forms (Eyes open, rapt involvement with the external visual stimuli, intellectual aspects)
O nobly born, listen carefully:
At this point you can become aware of the wave structure of the world around you.
Everything you see dissolves into energy vibrations.
Look closely and you will tune in on the electric dance of energy.
There are no longer things and persons but only the direct flow of particles.
Consciousness will now leave your body and flow into the stream of wave rhythm.
There is no need for talk or action.
Let your brain become a receiving set for the radiance.
All interpretations are the products of your own mind.
Dispel them. Have no fear.
Exult in the natural power of your own brain,
The wisdom of your own electricity.
Abide in the state of quietude.
As the three-dimensional world fragments, you may feel panic;
You may beget a fondness for the heavy dull world of objects you are leaving.
At this time, fear not the transparent, radiant, dazzling wave energy.
Allow your intellect to rest.
Fear not the hook-rays of the light of life,
The basic structure of matter,
The basic form of wave communication.
Watch quietly and receive the message.
You will now experience directly the revelation of primal forms.

Instructions for Vision 5: The Vibratory Waves of External Unity (Eyes open; rapt involvement with external stimuli such as lights, or movements; emotional aspects)
O nobly born, listen carefully:
You are experiencing the unity of all living forms.
If people seem to you rubbery and lifeless, like plastic puppets,
Be not afraid.
This is only the attempt of the ego to maintain its separate identity.
Allow yourself to feel the unity of all.
Merge with the world around you.
Be not afraid.
Enjoy the dance of the puppets.
They are created by your own mind.
Allow yourself to relax and feel the ecstatic energy-vibrations pulsing through you.
Enjoy the feeling of complete one-ness with all life and all matter.
The glowing radiance is a reflection of your own consciousness.
It is one aspect of your divine nature.
Do not be attached to your old human self.
Do not be alarmed at the new and strange feelings you are having.
If you are attracted to your old self,
You will be reborn shortly for another round of game-existence.
Exercise humble trust and remain fearless.
You will merge into the heart of the Blessed Ratnasambhava,
In a Halo of Rainbow Light,
And attain liberation in the Realm Endowed with Glory.

Instructions for Vision 6: "The Retinal Circus"
O nobly born, listen well:
You are now witnessing the magical dance of forms.
All possible shapes come toEcstatic kaleidoscopic patterns explode around you..life before you eyes.
The retinal circus.The ceaseless play of elements -
Earth, water, air, fire,
In ever-changing forms and manifestations,
Dazzles you with its complexity and variety.
Relax and enjoy the rushing stream.
Do not become attached to any vision or revelation.
Let everything flow through you.
If unpleasant experiences come,
Let them flit by with the rest.
Do not struggle against them.
It all comes from within you.
This is the great lesson in the creativity and power of the brain, freed from its learned structures.
Let the cascade of images and associations take you where it will.
Meditate calmly on the knowledge that all these visions are emanations of your own consciousness.
This way you can obtain self-knowledge and be liberated.

Instructions for Vision 7: "The Magic Theatre"
O nobly born, listen well:
You are now in the magic theatre of heroes and demons.
Mythical superhuman figures.
Demons, goddesses, celestial warriors, giants,
Angels, Bodhisattvas, dwarfs, crusaders,
Elves, devils, saints, and sorcerers,
Infernal spirits, goblins, knights and emperors.
The Lotus Lord of Dance.
The Wise Old Man. The Divine Child.
The Trickster, The Shapeshifter.
The tamer of monsters.
The mother of gods, the witch.
The moon king. The wanderer.
The whole divine theatre of figures representing the highest reaches of human knowledge.
Do not be afraid of them.
They are within you.
Your own creative intellect is the master magician of them all.
Recognize the figures as aspects of your self.
The whole fantastic comedy takes place within you.
Do not become attached to the figures.
Remember the teachings.
You may still attain liberation.

Instructions for the Wrathful Visions
O nobly born, listen carefully:
You were unable to maintain the perfect Clear Light of the First Bardo.
Or the serene peaceful visions of the Second.
You are now entering Second Bardo nightmares.
Recognize them.
They are your own thought-forms made visible and audible.
They are products of your own mind with its back to the wall.
They indicate that you are close to liberation.
Do not fear them.
No harm can come to you from these hallucinations.
They are your own thoughts in frightening aspect.
They are old friends.
Welcome them. Merge with them. Join them.
Lose yourself in them.
They are yours.
Whatever you see, no matter how strange and terrifying,
Remember above all that it comes from within you.
Hold onto that knowledge.
As soon as you recognize that, you will obtain liberation.
If you do not recognize them,
Torture and punishment will ensue.
But these too are but the radiances of your own intellect.
They are immaterial.
Voidness cannot injure voidness.
None of the peaceful or wrathful visions,
Blood-drinking demons, machines, monsters, or devils,
Exist in reality
Only within your skull.
This will dissipate your fear. Remember it well.

Third Bardo: Preliminary Instructions
O (name), listen well:
You are now entering the Third Bardo.
Before, while experiencing the peaceful and wrathful visions of the
Second Bardo,
You could not recognize them.
Through fear you became unconscious.
Now, as you recover,
Your consciousness rises up,
Like a trout leaping forth out of water,
Striving for its original form.
Your former ego has started to operate again.
Do not struggle to figure things out.
If through weakness you are attracted to action and thinking,
You will have to wander amidst the world of game existence,
And suffer pain.
Relax your restless mind.
O (name), you have been unable to recognize the archetypal forms of the
Second Bardo.
You have come down this far.
Now, if you wish to see the truth,
Your mind must rest without distraction.
There is nothing to do,
Nothing to think.
Float back to the unobscured, primordial, bright, void state of your intellect.
In this way you will obtain liberation.
If you are unable to relax your mind,
Meditate on (name of protective figure)
Meditate on your friends (name)
Think of them with profound love and trust,
As overshadowing the crown of your head.
This is of great importance.
Be not distracted.

O (name),
You may now feel the power to perform miraculous feats,
To perceive and communicate with extrasensory power,
To change shape, size and number,
To traverse space and time instantly.
These feelings come to you naturally,
Not through any merit on your part.
Do not desire them.
Do not attempt to exercise them.
Recognize them as signs that you are in the Third Bardo,
In the period of re-entry into the normal world.

O (name),
If you have not understood the above,
At this moment,
As a result of your own mental set,
Frightening visions may come.
Gusts of wind and icy blasts,
Humming and clicking of the controlling machinery,
Mocking laughter.
You may imagine terror producing remarks:
"Guilty," "stupid," inadequate," "nasty."
Such imagined taunts and paranoid nightmares
Are the residues of selfish, ego-dominated game-playing.
Fear them not.
They are your own mental products.
Remember that you are in the Third Bardo.
You are struggling to re-enter the denser atmosphere of routine game existence.
Let this re-entry be smooth and slow.
Do not attempt to use force of will-power.

O (name),
As you are driven here and there by the ever-moving winds of karma,
Your mind, having no resting place or focus,
Is like a feather tossed about by the wind,
Or like a rider on the horse or breath,
Ceaselessly and involuntarily you will wander about,
Calling in despair for your old ego.
Your mind races along until you are exhausted and miserable.
Do not hold on to thoughts.
Allow the mind to rest in its unmodified state.
Meditate on the oneness of all energy.
Thus you will be free of sorrow, terror, and confusion.

O (name)
You may feel confused and bewildered.
You may be wondering about your sanity.
You may look at your fellow voyagers and friends,
And sense that they cannot understand you.
You may think; "I am dead! What shall I do?,"
And feel great misery,Just like a fish cast out of water on red-hot embers.
You may wonder whether you will ever return.

Familiar places, relatives, people known to you appear as in a dream,Or through a glass darkly.
If you are having such experiences,
Thinking will be of no avail.
Do not struggle to explain.
This is the natural result of your own mental program.
Such feelings indicate that you are in the Third Bardo.
Trust your guide,
Trust your companions,
Trust the Compassionate Buddha,
Meditate calmly and without distraction.

O (name),
You may now feel as if you are being oppressed and squeezed,
Like between rocks and boulders,
Or like inside a cage or prison.
Remember:
These are signs that you are trying to force a return to your ego.
There may be a dull, gray light
Suffusing all objects with a murky glow.
These are all signs of the Third Bardo.
Do not struggle to return.
The re-entry will happen by itself.
Recognize where you are.
Recognition will lead to liberation.

Instructions for Re-entry Visions
O (name),
You have still not understood what is happening
So far you have been searching for your past personality.
Unable to find it, you may begin to feel that you will never be the same again,
That you will come back a changed person.
Saddened by this you will feel self-pity,
You will attempt to find your ego, to regain control.
So thinking, you will wander here and there,
Ceaselessly and distractedly.
Different images of your future self will be seen by you;
The one you are headed for will be seen most clearly.
The special art of these teachings is particularly important at this moment.
Whatever image you see,
Meditate upon it as coming from the Buddha -
That level of existence also exists in the Buddha.
This is an exceedingly profound art.
It will free you from your present confusion.
Meditate upon (name of protective ideal) for as long as possible.
Visualize him as a form produced by a magician,
Then let his image melt away,
Starting with the extremities,
Till nothing remains visible.
Put yourself in a state of Clearness and Voidness;
Abide in that state for a while.
Then meditate again on your protective ideal.
Then again on the Clear Light.
Do this alternately.
Afterwards, allow your own mind also to melt away gradually.
Wherever the air pervades, consciousness pervades.
Wherever consciousness pervades, serene ecstasy pervades.
Abide tranquilly in the uncreated state of serenity.
In that state, paranoid rebirth will be prevented.
Perfect enlightenment will be gained.

Instructions for the All-Determining Influence of Thought
O (name), you may now experience momentary joy,
Followed by momentary sorrow,
Of great intensity,
Like the stretching and relaxing of a catapult.
You will go through sharp mood swings,
All determined by karma.
Be not in the least attached to the joys nor displeased by the sorrows.
The actions of your friends or companions may evoke anger or shame in you.
If you get angry or depressed,
You will immediately have an experience of hell.
No matter what people are doing,
Make sure that no angry thought can arise.
Meditate upon love for them.
Even at this late stage of the session
You are only one second away from a life-changing joyous discovery.
Remember that each of your companions is Buddha within.
You mind in its present state having no focus or integrating force,
Being light and continuously moving,
Whatever thought occurs to you,
Positive or negative,
Will wield great power.
You are extremely suggestible
Therefore think not of selfish things.
Recall your preparation for the session.
Show pure affection and humble faith.
Through hearing these words,
Recollection will come.
Recollection will be followed by recognition and liberation.

Instructions for Judgment Visions
O (name), if you are experiencing a vision of judgment and guilt,
Listen carefully:
That you are suffering like this
Is the result of your own mental set. Your Karma.
No one is doing anything to you.
There is nothing to do.
Your own mind is creating the problem.
Accordingly float into meditation.
Remember your former beliefs.
Remember the teachings of this manual.
Remember the friendly presence of you companions.
If you do not know how to meditate
Concentrate on any single object or sensation.
Hold this (hand the wanderer an object),
Concentrate on the reality of this,
Recognize the illusory nature of existence and phenomena.
This moment is of great importance.
If you are distracted now it will take you a long time to get out of the quagmire of misery.
Up till now the Bardo experiences have come to you and you have not recognized them.
You have been distracted.
On this account you have experienced fear and terror.
Even though unsuccessful thus far
You may recognize and obtain liberation here.
Your session can still become ecstatic and revelatory.
If you do not know how to meditate, remember (person's ideal).
Remember your companions
Remember this manual.
Think of all these fears and terrifying apparitions as being your own ideal,
Or as the compassionate one.
They are divine tests.
Remember your guide.
Repeat the names over and over.
Even though you fall,
You will not be hurt.

Instructions for Sexual Visions
O (name),
At this time you may see visions of mating couples.
You are convinced that an orgy is about to take place.
Desire and anticipation seize you,
You wonder what sexual performance is expected of you.
When these visions occur,
Remember to withhold yourself from action or attachment.
Humbly exercise your faith.
Float with the stream.
Trust the process with great fervency.
Meditation and trust in the unity of life are the keys.
If you attempt to enter into your old personality because you are attracted or repulsed,
If you try to join the orgy you are hallucinating,
You will be reborn on an animal level.
You will experience possessive desire and jealousy,
You will suffer stupidity and misery.
If you wish to avoid these miseries
Listen and recognize.
Reject the feelings of attraction or repulsion.
Remember the downward pull opposing enlightenment is strong in you.
Meditate upon unity with your fellow voyagers.
Abandon jealousy,
Be neither attracted nor repulsed by your sexual hallucinations.
If you are you will wander in misery a long time.
Repeat these words to yourself.
And meditate on them.

Four Methods of Preventing Re-entry
First Method: Meditation on the Buddha
O (name), tranquilly meditate upon your protective figure (name).
He is like the reflecting of the moon in water.
He is apparent yet non-existent.
Like illusion produced by magic.
If you have no special protective figure,
Meditate upon the Buddha or upon me.
With this in mind meditate tranquilly.
Then causing the visualized form of your protective ideal
To melt away from the extremities,
Meditate, without any thought-forming, upon the Void Clear Light.
This is a very profound art.
By virtue of it rebirth is postponed.
A more illuminated future is assured.

Second Method: Meditation on Good Games
(Name), You are now wandering in the Third Bardo.
As a sign of this, look into a mirror and you will not see your usual self(show the wanderer a mirror).
At this time you must form a single, firm resolve in your mind.
This is very important.
It is like directing the course of a horse by the use of the reins.
Whatever you desire will come to pass.
Think not of evil actions which might turn the course of your mind.
Remember your spiritual relationship with me,
Or with anyone from whom you have received teaching.
<Cont...>

[Soothsayer]

Persevere with good games.
This is essential. Be not distracted.
Here lies the boundary line between going up or down.
If you give way to indecision for even a second,
You will have to suffer misery for a long, long time,
Trapped in your old habits and games.
This is the moment. Hold fast to one single purpose.
Remember good games.
Resolve to act according to your highest insight.
This is a time when earnestness and pure love are necessary.
Abandon jealousy.
Meditate upon laughter and trust. Bear this well at heart.

Third Method: Meditation on Illusion
If still going down and not liberated,
Meditate as follows:
The sexual activities, the manipulation machinery, the mocking laughter, dashing sounds and terrifying apparitions,
Indeed all phenomena
Are in their nature, illusions.
However they may appear, in truth they are unreal and fake.
They are like dreams and apparitions,
Non-permanent, non-fixed.
What advantage is there in being attached to them,
Or being afraid of them?
All these are hallucinations of the mind.
The mind itself does not exist,
Therefore why should they?
Only through taking these illusions for real will you wander around in this confused existence.
All these are like dreams,
Like echoes,
Like cities of clouds,
Like mirages,
Like mirrored forms,
Like phantasmagoria,
The moon seen in water.
Not real even for a moment.
By holding one-pointedly to that train of thought.
The belief that they are real is dissipated,
And liberation is attained.

Fourth Method: Meditation on the Void
"All substances are part of my own consciousness.
This consciousness is vacuous, unborn, and unceasing."
Thus meditating,
Allow the mind to rest in the uncreated state.
Like the pouring of water into water,
The mind should be allowed its own easy mental posture
In its natural, unmodified condition, clear and vibrant.
By maintaining this relaxed, uncreated state of mind
Rebirth into routine game-reality is sure to be prevented.
Meditate on this until you are certainly free.

Instructions for Choosing the Post-Session Personality
(Name), Listen:
It is almost time to return.
Make the selection of your future personality according to the best teaching.
Listen well:
The signs and characteristics of the level of existence to come
Will appear to you in premonitory visions.
Recognize them.
When you find that you have to return to reality,
Try to follow the pleasant delightful visions.
Avoid the dark unpleasant ones.
If you return in panic, a fearful state will follow,
If you strive to escape dark, gloomy scenes, an unhappy state will follow,
If you return in radiance, a happy state will follow.
Your mental state now will affect your subsequent level of being.
Whatever you choose,
Choose impartially,
Without attraction or repulsion.
Enter into game-existence with good grace.
Voluntarily and freely.
Remain calm.
Remember the teachings.

[Soothsayer]

Second Bardo: The Period of Hallucinations (Chonyid Bardo)
Introduction
If the Primary Clear Light is not recognized, there remains the possibility of maintaining the Secondary Clear Light. If that is lost, then comes the Chonyid Bardo, the period of karmic illusions or intense hallucinatory mixtures of game reality. It is very important that the instructions be remembered - they can have great influence and effect.
During this period, the flow of consciousness, microscopically clear and intense, is interrupted by fleeting attempts to rationalize and interpret. But the normal game-playing ego is not functioning effectively. There exist, therefore, unlimited possibilities for, on the one hand, delightful sensuous, intellectual and emotional novelties if one floats with the current; and, on the other hand, fearful ambuscades of confusion and terror if one tries to impose his will on the experience.

The purpose of this part of the manual is to prepare the person for the choice points which arise during this stage. Strange sounds, weird sights and disturbed visions may occur. These can awe, frighten and terrify unless one is prepared.

The experienced person will be able to maintain the recognition that all perceptions come from within and will be able to sit quietly, controlling his expanded awareness like a phantasmagoric multi-dimensional television set: the most acute and sensitive hallucinations - visual, auditory, touch, smell, physical and bodily; the most exquisite reactions, compassionate insight into the self, the world. The key is inaction: passive integration with all that occurs around you. If you try to impose your will, use your mind, rationalize, seek explanations, you will get caught in hallucinatory whirlpools. The motto: peace, acceptance. It is all an ever-changing panorama. You are temporarily removed from the world of game. Enjoy it.

The inexperienced and those to who ego control is important may find this passivity impossible. If you cannot remain inactive and subdue your will, then the one certain activity which can reduce panic and pull you out of hallucinatory mind-games is physical contact with another person. <?><Butcher Album> Go to the guide or to another participant and put your head on his lap or chest; put your face next to his and concentrate on the movement and sound of his inspiration. Breathe deeply and feel the air rush in and the sighing release. This is the oldest form of living communication; the brotherhood of breath. The guide's hand on your forehead may add to the relaxation.
Contact with another participant may be misunderstood and provoke sexual hallucinations. For this reason, helping contact should be made explicit by prearrangement. Unprepared participants may impose sexual fears or fantasies on the contact. Turn them off; they are karmic illusory productions.

Explanation of the Second Bardo
The underlying problem of the Second Bardo is that any and every shape - human, divine, diabolical, heroic, evil, animal, thing - which the human brain conjures up or the past life recalls, can present itself to consciousness: shapes and forms and sounds whirling by endlessly.
The underlying solution - repeated again and again - is to recognize that your brain is producing the visions. They do not exist. Nothing exists except as your consciousness gives it life.

You are standing on the threshold of recognizing the truth: there is no reality behind any of the phenomena of the ego-loss state, save the illusions stored up in your own mind either as accretions from game (Sangsaric) experience or as gifts from organic physical nature and its billion-year old past history. Recognition of this truth gives liberation.

There is, of course, no way of classifying the infinite permutations and combinations of visionary elements. The cortex contains file-cards for billions of images from the history of the person, of the race, and of living forms. Any of these, at the rate of a hundred million per second (according to neuro-physiologists), can flood into awareness. Bobbing around in this brilliant, symphonic sea of imagery is the remnant of the conceptual mind. On the endless watery turbulence of the Pacific Ocean bobs a tiny open mouth shouting (between saline mouthfuls), "Order! System! Explain all this!"<?>
One cannot predict what visions will occur, nor their sequence. One can only urge the participants to shut the mouth, breathe through the nose, and turn off the fidgety, rationalizing mind. But only the experienced person of mystical bent can do this (and thus remain in serene enlightenment). The unprepared person will be confused or, worse, panicky: the intellectual struggle to control the ocean.

In order to guide the person, to help him organize his visions into explicable units, the Chonyid Bardo was written. There are two sections: (1) Seven Peaceful Deities with their symmetrically opposed ego traps. (2) Eight Wrathful Deities who can be joyfully accepted as visionary productions, or fled from in terror.

Each of the Seven Peaceful Deities (bisexual Father-Mother figures) are accompanied by consorts, attendants, lesser deities, saints, angels, heroes. Each of the Wrathful Deities is similarly accompanied. Lights, symbolic objects, beautiful, horrid, threatening, seething, are likewise seen.

If read literally, The Tibetan Book of the Dead would have you expect the "Master of All Visible Shapes" (or his opposite, the fondness for stupidity) on the first day; the "Immovable Deity of Happiness" and his consort, attendants and opposite on the second, etc. The manual should, of course, not be used rigidly, exoterically, but should be taken in its esoteric, allegorical form.

Read from this perspective, we see that the lamas have listed or named a thousand images which can boil up in the ever-changing jeweled mosaic of the retina (that multi-layered swamp of billions of rods and cones, infiltrated, like a Persian rug or a Mayan carving, with countless multi-colored capillaries). By preparatory reading of the manual and by its repetition during the experience, the novice is led via suggestion to recognize this [glow=red,2,300]fantastic retinal kaleidoscope. [/glow]
Most important, he is told that they come from within. All deities and demons, all heavens and hells are internal.

The student with a particular interest in Tibetan or Tantric Buddhism should steep himself in the text of the Chonyid Bardo. He should obtain colored plates of the fourteen dramas of the Bardo, and he should arrange to have the guide lead him through the prescribed sequence during the drug session. This will provide an unforgettable series of liberations and will permit the devotee to emerge from the experience "reincarnated" in the lamaist tradition.

The aim of this manual is to make available the general outline of the Tibetan Book and to translate it into psychedelic English. For this reason we shall not present the detailed sequence of lamaist hallucinations but, rather, list some apparitions commonly reported by Westerners.

Following the Tibetan Thodo, we have classified Second Bardo visions into seven types:
The Source or Creator Vision
The Internal Flow of Archetypal Processes
The Fire-Flow of Internal Unity
The Wave-Vibration Structure of External Forms
The Vibratory Waves of External Unity
"The Retinal Circus"
"The Magic Theatre" [We owe the phrase "retinal circus" to Henri Michaux (Miserable Miracle), and the term "magic theatre" to Hermann Hesse (Steppenwolf).
Visions 2 and 3 involve closed eyes and no contact with external stimuli. In Vision 2 the internal imagery is primarily conceptual. The experience can range from revelation and insight to confusion and chaos, but the cognitive, intellectual meaning is paramount. In Vision 3 the internal imagery is primarily emotional. The experience can range from love and ecstatic unity to fear, distrust and isolation.

Visions 4 and 5 involve open eyes and rapt attention to external stimuli, such as sounds, lights, touch, etc. In Vision 4 the external imagery is primarily conceptual and in Vision 5 emotional factors predominate.

The sevenfold table just defined bears some similarity to the mandalic schema of the Peaceful Deities listed for the Second Bardo in The Tibetan Book of the Dead.

The Peaceful Visions
Vision 1: The Source (Eyes closed, external stimuli ignored)
[The first Peaceful Deity listed by the Bardo Thodol is the Bhagavan Vairochana who occupies the center of the mandala of the five Dhyani-Buddhas. His attributes of source- power have been translated into those of the monotheistic creator of Western religions.]
The White Light, or First Bardo energy, may be interpreted as God the Creator. The Spreader of the Seed. The Power which makes all shapes visible. Seed of all that is. Sovereign Power. The All-Powerful. The Central Sun. The One Truth. The Source of all Organic Life. The Divine Mother. The Female Creative Principle. Mother of the Space of Heaven. Radiant Father-Mother. Magnificent revelations, both spiritual and philosophic, can occur at this point making the highest union of experience and intellect. But, because of bad karma (usually religious beliefs of a monotheistic or punitive nature), the glorious light of the seed wisdom it can produce awe and terror. The person will wish to flee and will beget a fondness for the dull white light symbolizing stupidity.

Persons from a Judaeo-Christian background conceive of an enormous gulf between divinity (which is "up there") and the self ("down here"). Christian mystics' claims to unity with divine radiance has always posed problems for theologians who are committed to the cosmological subject-object distinction. Most Westerners, therefore, find it difficult to attain unity with the source-light.

If the guide ascertains that the voyager is struggling with thoughts or feelings about the creative source energy, he can read the appropriate instructions. (Instructions for Vision 1: The Source)

Vision 2: The Internal Flow of Archetypal Processes (Eyes closed, external stimuli ignored; intellectual aspects)
If the undifferentiated light of the First Bardo or of the Source Energy is lost, luminous waves of differentiated forms can flood through the consciousness. The person's mind begins to identify these figures, that is, to label them and experience revelations about the life process. [Lama Govinda tells us that Amoghasiddhi represents "... the mysterious activity of spiritual forces, which work removed from the senses, invisible and imperceptible, with the aim of guiding the individual (or, more properly: all living beings) towards the maturity of knowledge and liberation. The yellow light of an (inner) sun invisible to human eyes... (in which the unfathomable space of the universe seems to open itself) for the serene mystic green of Amoghasiddhi.... On the elementary plane this all-pervading power corresponds to the element of air - the principle of movement and extension, of life and breath (prana)." Lama Govinda: Foundations of Tibetan Mysticism. Lodon: E. P. Dutton & Co., Inc., 1959, p.120.
The fifth day of the Baro Thodol confronts the deceased with the Bhagavan Buddha Amoghasiddhi, Almighty Conqueror, from the green Norther realm of Successful Performance of Best Actions, attended by a Divine Mother, and two Bodhisattvas representing the mental functions of "equilibrium, immutability, and almighty power" and "clearer of obscurations."]

Specifically, the subject is caught up in an endless flow of colored forms, microbiological shapes, cellular acrobatics, capillary whirling. The cortex is turned in on molecular processes which are completely new and strange: a Niagara of abstract designs; the life-stream flowing, flowing.

These visions might perhaps be described as pure sensations of cellular and sub-cellular processes. It is uncertain whether they involve the retina and/or the visual cortex, or whether they are flashes of direct, molecular sensation in other areas of the central nervous system. They are subjectively described as internal visions.

Another class of internal process images involves sound. Again we do not know whether these sensations originate in the auditory apparatus and/or in the auditory cortex, or whether they are flashes of direct, molecular sensations in other areas. They are subjectively described as internal sounds: clicking, thudding, clashing, soughing, ringing, tapping, moaning, shrill whistles. [The Tibetan Book includes a brilliant discussion of internal process noises. "... innumerable (other) kinds of musical instruments, filling (with music) the whole world-systems and causing them to vibrate, to quake and tremble with sounds so mighty as to daze one's brain...."

"Tibetan lamas, in chanting their rituals, employ seven (or eight) sorts of musical instruments: big drums, cymbals (commonly brass), conch shells, bells (like the handbells used in the Christian Mass Service), timbrels, small clarionets (sounding like Highland bagpipes), big trumpets, and human thighbone trumpets. Although the combined sounds of these instruments are far from being melodious, the lamas maintain that they psychically produce in the devotee an attitude of deep veneration and faith, because they are the counterparts of the natural sounds which one's own body is heard producing when the fingers are put in the ears to shut out external sounds. Stopping the ears thus, there are heard a thudding sound, like that of a big drum being beaten; a clashing sound, as of cymbals; a soughing sound, as of a wind moving through a forest - as when a conch-shell is bone; a ringing as of bells; a sharp tapping sound, as when a timbrel is used; a moaning sound, like that of a clarionet; a bass moaning sound, as if made with a big trumpet; and a shriller sound, as of a thigh-bone trumpet."

"Not only is this interesting as a theory of Tibetan sacred music, but it gives the clue to the esoteric interpretation of the symbolical natural sounds of Truth (referred to in the second paragraph following, and elsewhere in our text), which are said to be, or to proceed from, the intellectual faculties within the human mentality." - (Evans-Wentz, p. 128)] These noises, like the visions, are direct sensations unencumbered by mental concepts. Raw, molecular, dancing units of energy.

The minds sweeps in and out of this evolutionary stream, creating cosmological revelations. Dozens of mythical and Darwinian insights flash into awareness. The person is allowed to glance back down the flow of time and to perceive how the life energy continually manifests itself in forms, transient, alwasy changing, reforming. Microscopic forms merge with primal creative myths. The mirror of consciousness is held up to the life stream.

As long as the person floats with the current, he is exposed to a billion-year lesson in cosmology. But the drag of the mind is always present. The tendency to impose arbitrary, isolating order on the organic process.

Sometimes the voyager feels he should report back his vision. He converts the life flow into a cosmic ink-blot test - attempts to label each form. "Now I see a peacock's tail. Now Muslim knights in colored armor. Oh, now a waterfall of jewels. Now, Chinese music. Now, gem-like serpents, etc." Verbalizations of this sort dull the light, stop the flow and should not be encouraged.

Another trap is that of imposing a sexual interpretation. The dancing, playful flow of life is, in the most reverant sense, sexual. Forms merging, spinning together, reproducing. Eros in its countless manifestations. The Tibetans refer to the female Bodhisattvas Pushpema, personification of blossoms, and Lasema, the "Belle", depicted holding a mirror in a coquettish attitude. [glow=red,2,300]Keep the pure, spontaneous awareness of the Mirror-like Wisdom. Laugh joyously at the tricks of the life process, forever decking out forms in seductive, enticing patterns to keep the dance going.[/glow] If the voyager interprets the visions of Eros in terms of his personal sexual game model, and attempts to think or plan - "what should I do? what role should I play?" - he is likely to slip down into the Thrid Bardo. Sexual plots dominate his awareness, the flow fades, the mirror tarnishes, and he is rudely reborn as a confused, thinking being.

Still another impasse is the imposition of physical symptom games upon the biological flow. The new somatic sensations may be interpreted as symptoms. If it is new, it must be bad. Any organ of the body may be selected as the focus of the "illness." People whose primary expectation when taking a psychedelic substance is medical, are particularly likely to fall into this trap. Medical doctors are, in fact, extremely prone and can imagine colorful diseases and fatal attacks.

In the case of the most widely-used psychedelics (LSD, psilocybin, etc.), it is safe to say that such bodily effects are virtually never the direct effect of the drug. The drug acts only on the brain and activates central neural patterns. All physical symptoms are created by the mind. Bodily sickness is a sign that the ego is fighting to maintain or regain its hold over an outpouring of feeling, over a dissolution of emotional boundaries.

If the person complains of physical symptoms such as nausea or pain, the guide should read him the Instructions for Physical Symptoms.

The negative, wrathful counterpart to this vision occurs if the voyager reacts with fear to the powerful flow of life forms. Such a reaction is attributable to the cumulated result of game playing (karma) dominated by anger or stupidity. A nightmarish hell-world may ensue. The visual forms appear like a confusing chaos of cheap, ugly dime-store objects, brassy, vulgar and useless. The person may become terrified at the prospect of being engulfed by them. The awesome sounds may be heard as hideous, clashing, oppressive, grating noises. The person will attempt to escape from these perceptions into restless external activity (talking, moving around, etc.) or into conceptual, analytic, mental activity.

The experience is the same, the intellectual interpretation is different. Instead of revelation, there is confusion; instead of calm joy, there is fear. The guide, recognizing the voyager to be in such a state, can help him get free, by reading the Instructions for Vision 2.

Vision 3: The Fire-Flow of Internal Unity (Eyes closed, external stimuli ignored, emotional aspects)
The First Bardo instructions should keep you face-to-face with the void-ecstasy. Yet there are classes of men who, having carried over karmic conflict about feeling-inhibition, prove unable to hold the pure experience beyond all feelings, and slip into emotionally toned visions. The undifferentiated energy of the First Bardo is woven into visionary games in the form of intense feelings. Exquisite, intense, pulsating sensations of unity and love will be felt; the negative counterpart is feelings of attachment, greed, isolation and bodily concerns.
It comes about this way: the pure flow of energy loses its white void quality and becomes sensed as intense feelings. An emotional game is imposed. Incredible new physical sensations pulse through the body. The glow of life is felt flooding along veins. One merges into a unitive ocean of orgastic, fluid electricity, [The Peaceful Deity of the Bardo Thodol personifying this vision is the Buddha Amitabbha, the all-discriminating wisdom and feeling, boundless light, representing life eternal. Lama Govinda writes that "The deep red light of discriminating inner vision shines forth from his heart... fire corresponds to him and thus, according to the ancient traditional symbolism, the eye and the function of seeing." (Govinda, op. cit., p. 120.) With the Bhagavan Amitabbha comes the Bodhisattva Chenrazee, embodiment of mercy or compassion, the great pitier ever on the lookout to discover distress and to succour the troubled. He is joined by the Bodhisattva "Glorious Gentle-voiced One," and the femal incarnates "song" and "light."] the endless flow of shared-life, of love.

Visions related to the circulatory system are common. The subject tumbles down through his own arterial network. The motor of the heart reverberates as one with the pulsing of all life. The heart then breaks, and red fire bleeds out to merge with all living beings. All living organisms are throbbing together. One is joyfully aware of the two-billion-year-old electric sexual dance; one is at last divested of robot clothes and limbs and undulates in the endless chain of living forms.

Dominating this ecstatic state is the feeling of intense love. You are a joyful part of all life. The memory of former delusions of self-hood and differentiation invokes exultant laughter.

All the harsh, dry, brittle angularity of game life is melted. You drift off - soft, rounded, moist, warm. Merged with all life. You may feel yourself floating out and down into a warm sea. Your individuality and autonomy of movement are moistly disappearing. Your control is surrendered to the total organism. Blissful passivity. Ecstatic, orgiastic, undulating unity. All worries and concerns wash away. All is gained as everything is given up. There is organic revelation. Every cell in your body is singing its song of freedom - the entire biological universe is in harmony, liberated from the censorship and control of you and your restricted ambitions.

But wait! You, You, are disappearing into the unity. You are being swallowed up by the ecstatic undulation. Your ego, that one tiny remaining strand of self, screams STOP! You are terrified by the pull of the glorious, dazzling, transparent, radiant red light. You wrench yourself out of the life-flow, drawn by your intense attachment to your old desires. There is a terrible rending as your roots tear out of the life matrix - a ripping of your fibres and veins away from the greater body to which you were attached <?>. And when you have cut yourself off from the fire-flow of life the throbbing stops, the ecstasy ceases, your limbs harden and stiffen into angular forms, your plastic doll body <?>has regained its orientation. There you sit, isolated from the stream of life, impotent master of your desires and appetites, miserable.

While you are floating down the evolutionary river, there comes a sense of limitless self-less power. The delight of flowing cosmic belongingness. The astounding discovery that consciousness can tune in to an infinite number of organic levels. There are billions of cellular processes in your body, each with its universe of experience - an endless variety of ecstasies. The simple joys and pains and burdens of your ego represent one set of experiences - a repetitious, dusty set. As you slip into the fire-flow of biological energy, series after series of experiential sets flash by. You are no longer encapsulated in the structure of ego and tribe.

But through panic and a desire to latch on to the familiar, you shut off the flow, open your eyes; then the flowingness is lost. The potentiality to move from one level of consciousness to another is gone. Your fear and desire to control have driven you to settle for one static site of consciousness. To use the Eastern or genetic metaphor, you have frozen the dance of energy and committed yourself to one incarnation, and you have done it out of fear.

When this happens, there are several steps which can take you back to the biological flow (and from there to the First Bardo). First, close your eyes. Lie on you stomach and let you body sink through the floor, merge with the surroundings. Feel the hard, square edges of your body soften and start to move in the bloodstream. Let the rhythm of breathing become tide flow. Bodily contact is probably the most effective method of softening hardened surfaces. No movement. No body games. Close physical contact with another invariably brings about the unity of fire-flow. Your blood begins to flow into the other's body. His breathing pours into your lungs. You both drift down the capillary river.

Another form of life process images is the flow of auditory sensations. The endless series of abstract sounds (described in the preceding vision) bounce through awareness. The emotional reaction to these can be neutral or can involve intense feelings of unity, or of annoyed fear.
The positive reaction occurs when the subject merges with the sound flow. The thudding drum of the heart is sensed as the basic anthem of humanity. The whooshing sough of the breath as the rushing river of all life. Overwhelming feelings of love, gratitude and oneness funnel into the moment of sound, into each note of the biological concerto.

[Soothsayer]

But, as always, the voyager may intrude his personality with its wants and opinions. He may not "like" the noise. His judgmental ego may be aesthetically offended by the sounds of life. The heart thud is, after all, monotonous; the natural music of the inner ear, with its clicks and hums and whistles, lacks the romantic symmetries of Beethoven. [glow=red,2,300]The terrible separation of "me" from my body occurs. Horrible. Out of my control. Turn it off. [/glow]
The trained guide can usually sense when ego-attachment threatens to pull the person out of the unitive flow. At this time he can guide the voyager by reading the Instructions for Vision 3.

Vision 4: The Wave-Vibration Structure of External Forms (Eyes open or rapt involvement with external stimuli; intellectual aspects)
The pure, content-free light of the First Bardo probably involves basic electrical wave energy. This is nameless, indescribable, because it is far beyond any concepts which we now possess. Some future atomic physicist may be able to classify this energy. Perhaps it will always be ineffable for a nervous system such as that of homo sapiens. Can an organic system "comprehend" the vastly more efficient inorganic? At any event, most persons, even the most illuminated, find it impossible to maintain experiential contact with this void-light and slip back to imposing mental structures, hallucinatory and revelatory, upon the flow.
Thus we are brought to another frequent vision which involves intense, rapt, unitive awareness of external stimuli. If the eyes are open, this super-reality effect can be visual. The penetrating impact of other stimuli can also set off revelatory imagery.

It comes about this way. The subject's awareness is suddenly invaded by an outside stimulus. His attention is captured, but his old conceptual mind is not functioning. But other sensitivities are engaged. He experiences direct sensation. The raw "is-ness." He sees, not objects, but patterns of light waves. He hears, not "music" or "meaningful" sound, but acoustic waves. He is struck with the sudden revelation that all sensation and perception are based on wave vibrations. That the world around him which heretofore had an illusory solidity, is nothing more than a play of physical waves. That he is involved in a cosmic television show which has no more substantiality than the images on his TV picture tube. [The Peaceful Deity of the Thodol personifying this vision is Akshobhya. According to Lama Govinda, "In the light of the Mirror-like Wisdom ... things are freed from their "thingness," their isolation, without being deprived of their form; they are divested of their materiality, without being dissolved, because the creative principle of the mind, which is at the bottom of all form and materiality, is recognized as the active side of the universal Store Consciousness (alaya-vijnana), on the surface of which forms arise and pass away, like the waves on the surface of the ocean...." (Govinda, op. cit., p. 119.)

The atomic structure of matter is, of course, known to us intellectually, but never experienced by the adult except in states of intense altered consciousness. Learning from a physics textbook about the wave structure of matter is one thing. Experiencing it - being in it - with the old, familiar, gross, hallucinatory comfort of "solid" things gone and unavailable, is quite another matter.

If these super-real visions involve wave phenomena, then the external world takes on a radiance and a revelation that is staggeringly clear. The experienced insight that the world of phenomena exists in the form of waves, electronic images, can produce a sense of illuminated power. Everything is experienced as consciousness.

These exultant radiations should be recognized as productions of your own internal processes. You should not attempt to control or conceptualize. This can come later. There is the danger of hallucinatory freezing. The subject rushes back (sometimes literally) to the three-dimensional reality, convinced of the fixed "truth" of one experienced revelation. Many misguided mystics and many persons called insane have fallen into this ambuscade. This is like making a still photograph of a television pattern and shouting that one has finally seized the truth. All is ecstatic electric Maya, the two-billion-year dance of waves. No one part of it is more real than another. Everything at all moments is shimmering with all the meaning.

So far we have considered the positive radiance of clarity; but there are fearful negative aspects of the fourth vision. When the subject senses that his "world" is fragmenting into waves, he may become terrified. "He," "me," "I" are dissolving! The world around me is supposed to sit, static and dead, quietly awaiting my manipulation. But these passive things have changed into a shimmering dance of living energy! The Maya nature of phenomena creates panic. Where is the solid base? Every thing, every concept, every form upon which one rests one's mind collapses into electrical vibrations lacking solidity.

The face of the guide or of one's beloved friend becomes a dancing mosaic of impulses on one's cortex. "My consciousness" has created everything of which I am conscious. I have kinescoped my world, my loved ones, myself. All are just shimmering energy patterns. Instead of clarity and exultant power, there is confusion. The subject staggers around, grasping at electron-patterns, striving to freeze them back into the familiar robot forms.
All solidity is gone. All phenomena are paper images pasted on the glass screen of consciousness. For the unprepared, or for the person whose karmic residue stresses control, the discovery of the wave-nature of all structure, the Maya revelation, is a disastrous web of uncertainty.

We have discussed only the visual aspects of the fourth vision. Auditory phenomena are of equal importance. Here the solid, labelled nature of auditory patterns is lost, and the mechanical impact of sound hitting the eardrum is registered. In some cases, sound becomes converted into pure sensation, and synesthesia (mixture of sense modalities) occurs. Sounds are experienced as colors. External sensations hitting the cortex are recorded as molecular events, ineffable.

The most dramatic auditory visions occur with music. Just as any object radiates a pattern of electrons and can become the essense of all energy, so can any note of music be sensed as naked energy trembling in space, timeless. The movement of notes, like the shuttling of oscillograph beams. Each capturing all energy, the electric core of the universe. Nothing existing except the needle-clear resonance on the tympanic membrane. Unforgettable revelations about the nature of reality occur at these moments.

But the hellish interpretation is also possible. As the learned structure of sound collapses, the direct impact of waves can be sensed as noise. For one who is compelled to institute order, his order, on the world around him, it is at least annoying and often disturbing to have the raw tattoo of sound resonating in consciousness.

Noise! What an irreverent concept. Is not everything noise; all sensation the divine pattern of wave energy, meaningless only to those who insist on imposing their own meaning?

Preparation is the key to a serene passage through this visionary territory. The subject who has studied this manual will be able, when face to face with the phenomenon, to recognize and flow with it.

The sensitive guide will be ready to pick up, on any cue, that the subject is wandering in the fourth vision. If the voyager's eyes are open (indicating visual reactions), he can read the Instructions for Vision 4.

If the guide senses that the voyager is experiencing the fragmentation of external sound into wave vibrations, he can amend the instructions appropriately (changing the visuaol references to auditory).


Vision 5: The Vibratory Waves of External Unity (Eyes open, or rapt involvement with external stimuli; emotional aspects)
As the learned perceptions disappear and the structure of the external world disintegrates into direct wave phenomena, the aim is to amintain a pure, conten-free awareness (First Bardo). Despite the preparations, one is likely to be led backwards by one's own mental inclinations into two hallucinatory or revelatory interpretations of reality. One reaction leads to the intellectual clarity or frightened confusion of the fourth vision (just described). Another interpretation is the emotional reaction to the fragmentation of differentiated forms. One can be engulfed in ecstatic unity, or one can slip into isolated egotism. The Bardol Thodol calls the former the "Wisdom of Equality" and the latter the "quagmire of worldly existence accruing from violent egotism." [The Peaceful Deity of the fifth vision comes in the form of the Bhagavan Ratnasambhava, born of a jewel. He is embraced by the Divine Mother, She of the Buddha Eyes, and accompanied by the Bodhisattvas, womb of the sky, All-good, and those holding incense and rosary. <?> "On the elementary plane Ratnasambhava corresponds to the earth, which carries and nourishes all beings with the equanimity and patience of a mother, in whose eyes all beings, borne by her, are equal." (Govinda, op. cit., p. 119.)] In the state of radiant unity, one senses that there is only one network of energy in the universe and that all things and all sentient beings are momentary manifestations of the single pattern. When egotistic interpretations are imposed on the fifth vision, the "plastic doll" phenomena are experienced. Differentiated forms are seen as inorganic, dull, mass-produced, shabby, plastic, and all persons (including self) are seen as lifeless mannequins isolated from the vibrant dance of energy, which has been lost.
The experiential data of this vision are similar to that of the fourth vision. All artifactual learned structure collapses back to energy vibrations. The awareness is dominated not by revelatory clarity but by shimmering unity. The subject is entranced by the silent, whirling play of forces. Exquisite forms dance by him, all surrounding objects radiate energy, brilliant emanations. His own body is seen as a play of forces. If he looks in a mirror, he sees a shining mosaic of particles. The sense of his own wave structure becomes stronger. A feeling of melting, floating off. The body is no longer a separate unit but a cluster of vibrations sending and receiving energy - a phase of the dance of energy which has been going on for millennia.

A sense of profound one-ness, a feeling of the unity of all energy. Superficial differences of role, cast, status, sex, species, form, power, size, beauty, even the distinctions between inorganic and living energy, disappear before the ecstatic union of all in one. All gestures, words, acts and events are equivalent in value - all are manifestations of the one consciousness which pervades everything. "You," "I" and "he" are gone, "my" thoughts are "ours," "your" feelings are "mine." <?> Communication is unnecessary, since complete communion exists. A person can sense another's feeling and mood directly, as if they were his own. By a glance, whole lifetimes and words can be transmitted. If all are at peace, the vibrations are "in phase." If there is discord, "out of phase" vibrations will be set up which will be felt like discordant music. Bodies melt into waves. Objects in the environment - lights, tree, plants, flowers - seem to open and welcome you: they are part of you. You are both simply different pulses of the same vibrations. A pure feeling of ecstatic harmony with all beings is the keynote of this vision.

But as before, terrors can occur. Unity requires ecstatic self-sacrifice. Loss of ego brings fright to the unprepared. The fragmentation of form into waves can bring the most terrible fear known to man: the ultimate epistemological revelation.

The fact of the matter is that all apparent forms of matter and body are momentary clusters of energy. We are little more than flickers on a multidimensional television screen. This realization directly experienced can be delightful. You suddenly wake up from the delusion of separate form and hook up to the cosmic dance. Consciousness slides along the wave matrices, silently at the speed of light.

The terror comes with the discovery of transience. Nothing is fixed, no form solid. Everything you can experience is "nothing but" electrical waves. You feel ultimately tricked. A victim of the great television producer. Distrust. The people around you are lifeless television robots. The world around you is a facade, a stage set. You are a helpless marionette, a plastic doll in a plastic world.
If others attempt to help, they are seen as wooden, waxen, feelingless, cold, grotesque, maniacal, space-fiction monsters. [glow=red,2,300]You are unable to feel. "I am dead. I will never live and feel again." In wild panic you may attempt to force feeling back - by action, by shouting. You will then enter the Third Bardo stage and be reborn in an unpleasant way[/glow].

The best method to escape from fifth vision terrors is to remember this manual, relax, and swing with the wave dance. Or to communicate to the guide that you are in a plastic doll phase, and he will guide you back.

Another solution is to move to the internal biological flow. Follow the instructions given in the third vision: close your eyes, lie prone, seek bodily contact, float down into your bodily stream. In so doing, you are recapitulating the evolutionary sequence. For billions of years, inorganic energy danced the cosmic round before the biological rhythm began. Don't rush it.

If the guide senses that the person is experiencing plastic doll visions or is afraid of the uncontrollability of his own feeling, he should read to him the Instructions for Vision 5.


Vision 6: "The Retinal Circus"
Each of the Second Bardo visions thus far described was one aspect of the "experiencing of reality." The inner fire or outer waves, apprehended intellectually or emotionally - each vision with its correspondent traps. Each of the "Peaceful Deities" appears with its attendant "Wrathful Deities." To maintain any of these visions for any length of time requires a certain degree of concentration or "one-pointedness" of mind, as well as the ability to recognize them and not to be afraid. Thus, for most persons, the experience may pass through one or more of these phases without the voyager being able to hold them or stay with them. He may open and close his eyes, he may become alternately absorbed in internal sensations and external forms. The experience may be chaotic, beautiful, thrilling, incomprehensible, magical, ever-changing. [In the Bardo Thodol, on the sixth day appear the radiant lights of the combined Five Wisdoms of the Dhyani-Buddhas, the protective deities (gatekeepers of the mandala) and the Buddhas of the Six Realms of game-existence. According to Lama Govinda: "The Inner Way of Vajra-Sattva, consists in the combination of the rays of the Wisdoms of the four Dhyani-Buddhas and their absorption within one's own heart - in other words, in the recognition that all these radiances are the emanations of one's own mind in a state of perfect tranquility and serenity, a state in which the mind reveals its true universal nature." (Govinda, op., cit., p. 262.)]
He will travel freely through many worlds or experience - from direct contact with life-process forms and images, he may pass to visions of human game-forms. He may see and understand with unimagined clarity and brilliance various social and self-games that he and others play. His own struggles in karmic (game) existence will appear pitiful and laughable. Ecstatic freedom of consciousness is the keynote of this vision. Exploration of unimagined realms. Theatrical adventures. Plays within plays within plays. Symbols change into things symbolized and vice versa. Words become things, thoughts are music, music is smelled, sounds are touched, complete interchangeability of the senses.

All things are possible. All feelings are possible. A person may "try on" various moods like so many pieces of clothing. Subjects and objects whirl, transform, change into each other, merge, fuse, disperse again. External objects dance and sing. The mind plays upon them as upon a musical instrument. They assume any form, significance or quality upon command. They are admired, adored, analyzed, examined, changed, made beautiful or ugly, large or small, important or trivial, useful, dangerous, magical or incomprehensible. They may be reacted to with wonder, amazement, humor, veneration, love, disgust, fascination, horror, delight, fear, ecstasy.

Like a computer with unlimited access to any programs, the mind roams freely. Personal and racial memories bubble up to the surface of consciousness, inter-play with fantasies, wishes, dreams and external objects. A present event becomes charged with profound emotional significance, a cosmic phenomenon becomes identical with some personal quirk. Metaphysical problems are juggled and bounced around. Pure "primary process," spontaneous outopouring of association, opposites merging, images fusing, condensing, shifting, collapsing, expanding, merging, connecting.

This kaleidoscopic vision of game-reality may be frightening and confusing to an ill-prepared subject. Instead of exquisite clarity of many-levelled perception, he will experience a confused chaos of uncontrollable, meaningless forms. Instead of delight at the playful acrobatics of the free intellect, there will be anxious clinging to an elusive order. Morbid and scatological hallucinations may occur, evoking disgust and shame.

As before, this negative vision occurs only if the person attempts to control or rationalize the magic panorama. Relax and accept whatever comes. Remember that all visions are created by your mind, the happy and the unhappy, the beautiful and the ugly, the delightful and the horrifying. Your consciousness is creator, performer and spectator of the "retinal circus."

If the guide senses that the voyager is in or seems to be in the "retinal circus" vision, he may read to him the appropriate instructions Instructions for Vision 6: "The Retinal Circus".


Vision 7: "The Magic Theatre"
If the voyager was unable to maintain the passive serenity necessary for the contemplation of the previous visions (the peaceful deities), he moves now into a more dramatic and active phase. The play of forms and things becomes the play of heroic figures, superhuman spirits and demigods. [In the Tibetan Handbook, this is described as the vision of the five "Knowledge-Holding Deities," arranged in a mandala form, each embraced by Dakinis, in an ecstatic dance. The Knowledge-holding Deities symbolize "the highest level of individual or humanly conceivable knowledge, as attained in the consciousness of great Yogis, inspired thinkers or similar heroes of the spirit. They represent the last step before the "breaking-through" towards the universal consciousness - or the first on the return from there to the plane of human knowledge." (Govinda, op. cit., p. 202.) The Dakinis are female embodiments of knowledge, representing the inspirational impluses of consciousness leading to break-through. The other four Knowledge-Holders, besides the central Lord of Dance, are: the Knowledge-holder abiding in the earth, the Knowledge-holder who has power over the duration of life, the Knowledge-holder of the Great Symbol, and the Knowledge-holder of Spontaneous Realization.] You may see radiating figures in human forms. The "Lotus Lord of Dance": the supreme image of a demi-god who perceives the effects of all actions. The prince of movement, dancing in an ecstatic embrace with his female counterpart. Heroes, heroines, celestial warriors, male and female demi-gods, angels, fairies - the exact form of these figures will depend on the person's background and tradition. Archetypal figures in the forms of characters from Greek, Egyptian, Nordic, Celtic, Aztec, Persian, Indian, Chinese mythology. The shapes differ, the source is the same: they are the concrete embodiments of aspects of the person's own psyche. Archetypal forces below verbal awareness and expressible only in symbolic form. The figures are often extremely colorful and accompanied by a variety of awe-inspiring sounds. If the voyager is prepared and in a relaxed, detached frame of mind, he is exposed to a fascinating and dazzling display of dramatic creativity. The Cosmic Theatre. The Divine Comedy. If his eyes are open, he may visualize the other voyagers as representing these figures. The face of a friend may turn into that of a young boy, a baby, the child-god; into a heroic stature, a wise old man; a woman, animal, goddess, sea-mother, young girl, nymph, elf, goblin, leprechaun. Images of the great painters arise as the familiar representations of these spirits. The images are inexhaustible and manifold. An illuminating voyage into the areas where the personal consciousness merges with the supr-individual.
The danger is that the voyager becomes frightened by or unduly attracted to these powerful figures. The forces represented by them may be more intense than he was prepared for. Inability or unwillingness to recognize them as products of one's mind, leads to escape into animalistic pursuits. The person may become involved in the pursuit of power, lust, wealth and descend into Third Bardo rebirth struggles.

If the guide senses that the voyager is caught in this trap, the appropriate instructions may be used Intructions for Vision 7: "The Magic Theatre".


The Wrathful Visions (Second Bardo Nightmares)
Seven Second Bardo visions have been described. At each one of them, the voyager could recognize what he saw and be liberated. Multitudes will be liberated by that recognition; and although multitudes obtain liberation in that manner, the number of sentient beings being great, evil karma powerful, obscurations dense, propensities of too long standing, the Wheel of Ignorance and Illusion becomes neither exhausted nor accelerated. Despite the confrontations, there is a vast preponderance of those who wander downwards unliberated.
Thus, in the Tibetan Thodo, after the seven peaceful deities, there come seven visions of wrathful deities, fifty-eight in number, male and female, "flame-enhaloed, wrathful, blood-drinking." These Herukas as they are called, will not be described in detail, especially since Westerners are liable to experience the wrathful deities in different forms. Instead of many-headed fierce mythological demons, they are more likely to be engulfed and ground by impersonal machinery, manipulated by scientific, torturing control-devices and other space-fiction horrors. [Some general remarks about the Tibetan interpretation of these visions. The Wrathful Deities are regarded as "only the former Peaceful Deities in changed aspect." Lama Govinda writes: "The peaceful forms of Dhyani-Buddhas represent the highest ideal of Buddhahood in its completed, final, static condition of ultimate attainment or perfection, seen retrospectively as it were, as a state of complete rest and harmony. The Herukas, on the other hand, which are described as "blood-drinking," angry or "terrifying" deities - are merely the dynamic aspect of enlightenment, the process of becoming a Buddha, of attaining illumination, as symbolized by the Buddha's struggle with the Hosts of Mara.... The ecstatic figures, heroic and terrifying, express the act of breaking through towards the unthinkable, the intellectually "Unattainable." They represent the leap over the chasm, which yawns between an intellectual surface consciousness and the intuitive supra-personal depth-consciousness." (Govinda, op. cit., pp. 198, 202.)]

The Tibetans regard the nightmare visions as primarily intellectual products. They assign them to the Brain chakra, whereas the peaceful deities are assigned to the Heart chakra and the Knowledge-Holding deities to the intermediate Throat chakra. They are the reactions of the mind to the process of consciousness-expansion. They represent the attempts of the intellect to maintain its threatened boundaries. They symbolize the struggle of breaking through to ego-loss understanding and awareness.

Because of the terror and awe they produce, recognition is difficult. Yet in a way it is also easier in that, since these negative hallucinations command all attention, the mind is alert and therefore through trying to escape from fear and terror, people get involved in psychotic states and suffer. But with the aid of this manual and the presence of a guide, the voyager will recognize these hell visions as soon as he sees them, and welcome them like old friends.
<Cont..>

[Soothsayer]

Again, when psychologists, philosophers, and psychiatrists, who do not know these teachings, experience ego-loss - however assiduously they may have devoted themselves to academic study and however clever they may have been in expounding intellectual theories - none of the higher phenomena will appear. This is because they are unable to recognize the visions occurring in these psychedelic experiences. Suddenly seeing something they had never seen before and possessing no intellectual concepts, they view it as inimical; and, antagonistic feelings arising, they pass into miserable states. Thus, if one has not had practical experience with these teachings, the radiances and lights will not appear..

Those who believe in these doctrines even though they may seem to be unrefined, irregular in performance of duties, inelegant in habits, and perhaps even unable to practice the doctrine successfully - let no one doubt them or be disrespectful towards them, but pay reverence to their mystic faith. That alone will enable them to attain liberation. Elegance and efficiency of devotional practice are not necessary - just acquaintance with and trust in these teachings.

Well-prepared persons need not experience Second Bardo hell visions at all. Right from the beginning they can pass into paradisiacal states led by heroes, heroines, angels and super-spirits. "They will merge into rainbow radiance; there will be sun-showers, sweet scent of incense in the air, music in the skies, radiances."

This manual is indispensable to those students who are unprepared. Those proficient in meditation will recognize the Clear Light at the moment of ego-loss and will enter the Blissful Void (Dharma-Kaya). They will also recognize the positive and negative visions of the Second Bardo and obtain illumination (Sambhogha-Kaya); and being reborn on a higher level will become inspired saints or teachers (Spy forummana-Kaya). The study and pursuit of enlightenment can always be taken up again at the point where it was broken by the last ego-loss, thus ensuring continuity of karma.

by the use of this manual, enlightenment can be obtained without meditation, through hearing alone. It can liberate even very heavy ego-game players. The distinction between those who know it and those who do not becomes very clear. Enlightenment follows instantly. Those who have been reached by it cannot have prolonged negative experiences.

The teaching concerning the hell-visions is the same as before; recognize them to be your own thought-forms, relax, float downstream. The Instructions for the Wrathful Visions may be read. If, after this, recognition is still impossible and liberation is not obtained, then the voyager will descend into the Third Bardo, the Period of Re-Entry.


Conclusion of Second Bardo
However much experience one may have had, there is always the possibility of delusions occurring in these psychedelic states. Those with practice in meditation recognize the truth as soon as the experience begins. Reading this manual beforehand is important. Having some degree of self-knowledge is helpful at the moment of ego-death.
Meditation on the various positive and negative archetypal forms is very important for Second Bardo phases. Therefore, read this manual, keep it, remember it, bear it in mind, read it regularly; let the words and meanings be very clear; they should not be forgotten, even under extreme duress. It is called "The Great Liberation by Hearing" because even those with selfish deeds on their conscience can be liberated if they hear it. If heard only once, it can be efficacious because even though not understood, it will be remembered during the psychedelic state, since the mind is more lucid then.
[glow=red,2,300]It should be proclaimed to all living persons; it should be read over the pillows of ill persons; it should be read to dying persons; it should be broadcast. [/glow]
Those who meet this doctrine are fortunate. It is not easy to encounter. Even when read, it is difficult to comprehend. Liberation will be won simply through not disbelieving it upon hearing it.

Here ends the Second Bardo the Period of Hallucinations.

[glow=red,2,300]Third Bardo: The Period of Re-entry (Sidpa Bardo)[/glow]
Introduction
If, in the second Bardo, the voyager is incapable of holding on to the knowledge that the peaceful and wrathful visions were projections of his own mind, but became attracted to or frightened by one or more of them, he will enter the Third Bardo. In this period he struggles to regain routine reality and his ego; the Tibetans call it the Bardo of "seeking rebirth." It is the period in which the consciousness makes the transition from transcendent reality to the reality of ordinary waking life. The teachings of this manual are of the utmost importance if one wishes to make a peaceful and enlightened re-entry and avoid a violent or unpleasant one.
In the original Bardo Thodol the aim of the teachings is "liberation," i.e., release from the cycle of birth and death. Interpreted esoterically, this means that the aim is to remain at the stage of perfect illumination and not to return to social game reality.

Only persons of extremely advanced spiritual development are able to accomplish this, by exercising the Transference Principle at the moment of ego-death. For average persons who undertake a psychedelic voyage, the return to game reality is inevitable. Such persons can and should use this part of the manual for the following purposes:


to free themselves from Third Bardo traps;
to prolong the session, thus assuring a maximum degree of illumination;
to select a favorable re-entry, i.e., to return to a wiser and more peaceful post-session personality.
Although no definite time estimates can be given, the Tibetans estimate that about 50% of the entire psychedelic experience is spent in the Third Bardo by most normal people. At times, as indicated in the Introduction, someone may move straight to the re-entry period if he is unprepared for or frightened by the ego-loss experiences of the first two Bardos.

The types of re-entry made can profoundly color the person's subsequent attitudes and feelings about himself and the world, for weeks or even months afterwards. A session which has been predominantly negative and fearful can still be turned to great advantage and much can be learned from it, provided the re-entry is positive and highly conscious. Conversely, a happy and revelatory experience can be made valueless by a fearful or negative re-entry.

The key instructions of the Third Bardo are: (1) do nothing, stay calm, passive and relaxed, no matter what happens; and (2) recognize where you are. If you do not recognize you will be driven by fear to make a premature and unfavorable re-entry. Only by recognizing can you maintain that state of calm, passive concentration necessary for a favorable re-entry. That is why so many recognition-points are given. If you fail on one, it is always possible, up to the very end, to succeed on another. Hence these teachings should be read carefully and remembered well.

In the following sections some of the characteristic Third Bardo experiences are described. In Part IV instructions are given appropriate to each section. At this stage in a psychedelic session the voyager is usually capable of telling the guide verbally what he is experiencing, so that the appropriate sections can be read. A wise guide can often sense the precise nature of the ego's struggle without words. The voyager will usually not experience all of these states, but only one or some of them; or sometimes the return to reality can take completely new and unusual turns. In such a case the general instructions for the Third Bardo should be emphasized Third Bardo: Preliminary Instructions.

I. General Description of the Third Bardo
Normally, the person descends, step by step, into lower (more constricted) states of consciousness. Each step downwards may be preceded by a swooning into unconsciousness. Occasionally the descent may be sudden, and the person will find himself jolted back to a vision of reality which by contrast with the preceding phases seems dull, static, hard, angular, ugly and puppet-like. Such changes can induce fear and horror and he may struggle desperately to regain familiar reality. He may get trapped into irrational or even bestial perspectives which then dominate his entire consciousness. These narrow primitive elements stem from aspects of his personal history which are usually repressed. The more enlightened consciousness of the first two Bardos and the civilized elements of ordinary waking life are shelved in favor of powerful, obsessive primitive impulses, which in fact are merely faded and incoherent instinctual parts of the voyager's total personality. The suggestibility of Bardo consciousness makes them seem all-powerful and overwhelming.
On the other hand, the voyager may also feel that he possesses supernormal powers of perception and movement, that he can perform miracles, extraordinary feats of bodily control etc. The Tibetan book definitely attributes paranormal faculties to the consciousness of the Bardo voyager and explains it as due to the fact that the Bardo-consciousness encompasses future elements as well as past. Hence clairvoyance, telepathy, ESP, etc. are said to be possible. Objective evidence does not indicate whether this sense of increased perceptiveness is real or illusory. We therefore leave this as an open question, to be decided by empirical evidence.

This then is the first recognition point of the Third Bardo. The feeling of supernormal perception and performance. Assuming that it is valid, the manual warns the voyager not to be fascinated by his heightened powers, and not to exercise them. In yogic practice, the most advanced of the lamas teach the disciple not to strive after psychic powers of this nature for their own sake; for until the disciple is morally fit to use them wisely, they become a serious impediment to his higher spiritual development. Not until the selfish, game-involved nature of man is completely mastered is he safe in using them.

A second sign of Third Bardo existence are experiences of panic, torture and persecution. They are distinguished from the wrathful visions fo the Second Bardo in that they definitely seem to involve the person's own "skin-encapsulated ego." Mind-controlling manipulative figures and demons of hideous aspects may be hallucinated. The form that these torturing demons take will depend on the person's cultural background. Where Tibetans saw demons and beasts of prey, a Westerner may see impersonal machinery grinding, or depersonalizing and controlling devices of different futuristic varieties. Visions of world destruction, dying in space-fiction modes, and hallucinations of being engulfed by destructive powers will likewise come; and sounds of the mind-controlling apparatus, of the "combine's fog machinery," of the gears which move the scenery of the puppet show, of angry overflowing seas, and of the roaring fire and of fierce winds springing up, and of mocking laughter.

When these sounds and visions come, the first impulse will be to flee from them in panic and terror, not caring where one goes, so long as one goes out. In psychedelic drug experiences, the person may at this time plead or demand to be brought "out of it" through antidotes and tranquillizers. The person may see himself as about to fall down deep, terrifying precipices. These symbolize the so-called evil passions which, like narcotic drugs, enslave and bind mankind to existence in game-networks (sangsara): anger, lust, stupidity, pride or egoism, jealousy, and control-power. Such experiences, just as the previous one of enhanced power, should be regarded as recognizing features of the Third Bardo. One should neither flee the pain nor pursue the pleasure. Recognition is all that is necessary - and recognition depends upon preparation.

A third sign is a kind of restless, unhappy wandering which may be purely mental or may involve actual physical movement. The person feels as if driven by winds (winds of karma) or shunted around mechanically. There may be brief respites at certain places or scenes in the "ordinary" human world. Like a person travelling alone at night along a highway, having his attention arrested by prominent landmarks, great isolated trees, houses, bridgeheads, temples, hot-dog stands, etc., the person in the re-entry period has similar experiences. He may demand to return to familiar haunts in the human world. But any such external placation is temporary and soon the restless wandering will recommence. There may come a desperate desire to phone or otherwise contact your family, your doctor, your friends and appeal to them to pull you out of the state. This desire should be resisted. The guide and the fellow voyagers can be of best assistance. One should not try to involve others in one's hallucinatory world. The attempt will fail anyway since outsiders are usually unable to understand what is happening. Again, merely to recognize these desires as Third Bardo manifestations is already the first step toward liberation.
A fourth, rather common experience is the following: the person may feel stupid and full of incoherent thoughts, whereas everyone else seems to be perfectly knowing and wise. This leads to feelings of guilt and inadequacy and in extreme from to the Judgment Vision, to be described below. This feeling of stupidity is merely the natural result of the limited perspective under which the consciousness is operating in this Bardo. Calm, relaxed acceptance and trust will enable the voyager to win liberation at this point

[glow=red,2,300]Another experience, the fifth recognizing feature, which is especially impressive when it occurs suddenly, is the feeling of being dead, cut off from surrounding life, and full of misery. The person may with a jolt awake from some trance-like swoon and experience himself and the others as lifeless robots, performing wooden meaningless gestures. He may feel that he will never come back and will lament his miserable state. [/glow]

Again, such fantasies are to be recognized as the attempts of the ego to regain control. In the true state of ego-death, as it occurs in the First or Second Bardos, such complaints are never uttered.

Sixth, one may have the feeling of being oppressed or crushed or squeezed into cracks and crevices amidst rocks and boulders. Or the person may feel that a kind of metallic net or cage may encompass him. This symbolizes the attempt prematurely to enter an ego-robot which is unfitting or unequipped to deal with the expanded consciousness. Therefore one should relax the panicky desire to regain an ego.

A Seventh aspect is a kind of grey twilight-like light suffusing everything, which is in marked contrast to the brilliantly radiating lights and colors of the earlier stages of the voyage. Objects, instead of shining, glowing and vibrating, are now dully colored, shabby and angular.

The passages Third Bardo: Preliminary Instructions contain general instructions for the Third Bardo state and its recognizable features. Any or all of the passages may be read when the guide senses that the voyager is beginning to return to the ego.

[Soothsayer]

[glow=red,2,300][/glow][glow=red,2,300]II. Re-entry Visions[/glow]
In the preceding section the symptoms of re-entry were described, the signs that the voyager is trying to regain his ego. In this section are described visions of the types of re-entry one can make.
The Tibetan manual conceives of the voyager as returning eventually to one of six worlds of game existence (sangsara). That is, the re-entry to the ego can take place on one of six levels, or as one of six personality types. Two of these are higher than the normal human, three are lower. The highest, most illuminated, level is that of the devas, who are what Westerners would call saints, sages or divine teachers. They are the most enlightened people walking the earth. Gautama Buddha, Lao Tse, Christ. The second level is that of the asuras, who may be called titans or heroes, people with a more than human degree of power and vision. The third level is that of most normal human beings, struggling through game-networks, occasionally breaking free. The fourth level is that of primitive and animalistic incarnations. In this category we have the dog and the cock, symbolic of hyper-sexuality concomitant with jealousy; the pig, symbolizing lustful stupidity and uncleanliness; the industrious, hoarding ant; the insect or worm signifying an earthy or grovelling disposition; the snake, flashing in anger; the ape, full of rampaging primitive power; the snarling "wolf of the steppes;" the bird, soaring freely <?>. Many more could be enumerated. In all cultures of the world people have adopted identities in the image of animals. In childhood and in dreams it is a process familiar to all. The fifth level is that of neurotics, frustrated lifeless spirits forever pursuing unsatisfied desires; the sixth and lowest level is hell or psychosis. Less than one percent of ego- transcendent experiences end in sainthood or psychosis. Most persons return to the normal human level.

According to The Tibetan Book of the Dead, each of the six game worlds or levels of existence is associated with a characteristic sort of thraldom, from which non-game experiences give temporary freedom: (1) existence as a deva, or saint, although more desirable than the others, is concomitant with an ever-recurring round of pleasure, free game ecstasy; (2) existence as an asura, or titan, is concomitant with incessant heroic warfare; (3) helplessness and slavery are characteristic of animal existence; (4) torments of unsatisfied needs and wants are characteristic of the existence of pretas, or unhappy spirits; (5) the characteristic impediments of human existence are inertia, smug ignorance, physical or psychological handicaps or various sorts.

According to the Bardo Thodol, the level one is detined for is determined by one's karma. During the period of the Third Bardo premonitory signs and visions of the different levels appear, that for which one is heading appearing most clearly. For example, the voyager may feel full of godlike power (asuras), or he may feel himself stirred by primitive or bestial impulses, or he may experience that all-pervasive frustration of the unhappy neurotics, or shudder at the tortures of a self-created hell.

The chances of making a favorable re-entry are increased if the process is allowed to take its own natural course, without effort or struggle. One should avoid pursuing or fleeing any of the visions, but meditate calmly on the knowledge that all levels exist in the Buddha also.

One can recognize and examine the signs as they appear and learn a great deal about oneself in a very short time. Although it is unwise to struggle against or flee the visions that come in this period, the Instructions for Re-entry Visions are designed to help the voyager regain First Bardo transcendence. In this way, if the person finds himself about to return to a personality or ego which he finds inappropriate to his new knowledge about himself, he can, by following the instructions, prevent this and make a fresh re-entry.

[glow=red,2,300]III. The All-Determining Influence of Thought[/glow]
Liberation may be obtained, by such confrontation, even though previously it was not. If, however, liberation is not obtained even after these confrontations, further earnest and continued application is essential.
Should you feel attachment to material possessions, to old games and activities, or if you get any because other people are still involved in pursuits that you have renounced, this will affect the psychological balance in such a way that even if destined to return at a higher level, you will actually re-enter on a lower level in the world of unsatisfied spirits (neurosis). On the other hand, even if you do feel attached to worldly games that you have renounced, you will not be able to play them, and they will be of no use to you. Therefore abandon weakness and attachment to them; cast them away wholly; renounce them from your heart. No matter who may be enjoying your possessions, or taking your role, have no feelings of miserliness or jealousy, but be prepared to renounce them willingly. Think that you are offering them to your internal freedom and to your expaned consciousness. Abide in the feeling of non-attachment, devoid of weakness and craving.

Again, when the activities of the other members of the session are wrong, careless, inattentive or distracting, when the agreement or contract is broken, and when purity of intention is lost by any participant, and frivolity and laxness take over (all of which can clearly be seen by the Bardo voyager) you may feel lack of faith and begin to doubt your beliefs. You will be able to perceive any anxiety or fear, any selfish actions, ego-centric conduct and manipulative behavior. You may think: "Alas! they are playing me false, they have cheated and deceived." If you think thus, you will become extremely depressed, and through great resentment you will acquire disbelief and loss of faith, instead of affection and humble trust. Since this affects the psychological balance, re-entry will certainly be made on an unpleasant level.

Such thinking will not only be of no use, but it will do great harm. However improper the behavior of other, think thus: "What? How can the words of a Buddha be inappropriate? It is like the reflection of blemishes on my own face which I see in a mirror; my own thoughts must be impure. As for these others, they are noble in body, holy in speech, and the Buddha is within them: their actions are lessons for me."

Thus thinking, put your trust in your companions and exercise sincere love towards them. Then whatever they do will be to your benefit. The exercise of that love is very important; do not forget this!

Again, even if you were destined to return to a lower level and are already going into that existence, yet through the good deeds of friends, relatives, participants, learned teachers who devote themselves wholeheartedly to the correct performance of beneficent rituals, the delight from your feeling greatly cheered at seeing them will, by its own virtue, so affect the psychological balance that even though heading downwards, you may yet rise to a higher and happier level. Therefore you should not create selfish thoughts, but exercise pure affection and humble faith towards all, impartially. This is highly important. Hence be extremely careful.

The Instructions for the All-Determing Influence of Thought are useful in any phase of the Third Bardo, but particularly if the voyager is reacting with suspicion or resentment to other members of the group, or to his own friends and relatives.


[glow=red,2,300]IV. Judgment Visions[/glow]
The judgment vision may come: the Third Bardo blame game. "Your good genius will count up your good deeds with white pebbles, the evil genius the evil deeds with black pebbles." A judgment scene is a central part of many religious systems, and the vision can assume various forms. Westerners are most likely to see it in the well-known Christian version. The Tibetans give a psychological interpretation to thisas to all the other visions. The Judge, or Lord of Death, symbolizes conscience itself in its stern aspect of impartiality and love of righteousness. The "Mirror of Karma" (the Christian Judgment Book), consulted by the Judge, is memory. Different parts of the ego will come forward, some offering lame excuses to meet accusations, others ascribing baser motives to various deeds, counting apparently neutral deeds among the black ones; still others offering justifications or requests for pardon. The mirror of memory reflects clearly; lying and subterfuge will be of no avail. Be not frightened, tell no lies, face truch fearlessly.
No you may imagine yourself surrounded by figures who wish to torment, torture or ridicule you (the "Executive Furies of the Robot Lord of Death"). These merciless figures may be internal or they may involve the people around you, seen as pitiless, mocking, superior. Remember that fear and guilt and persecuting, mocking figures are your own hallucinations. Your own guilt machine. Your personality is a collection of thought-patterns and void. It cannot be harmed or injured. "Swords cannot pierce it, fire cannot burn it." Free yourself from your own hallucinations. In reality there is no such thing as the Lord of Death, or a justice-dispensing god or demon or spirit. Act so as to recognize this.

Recognize that you are in the Third Bardo. Meditate upon your ideal symbol. If you do not know how to meditate, then merely analyze with great care the real nature of that which is frightening you: "Reality" is nothing but a voidness (Dharma-Kaya). That voidness is not of the voidness of nothingness, but a voidness at the true nature of which you feel awed, and before which your consciousness shines more clearly and lucidly. [That is the state of mind known as "Sambhoga-Kaya." In that state, you experience, with unbearable intensity, Voidness and Brightness inseparable - the Voidness bright by nature and the Brightness inseparable from the Voidness - a state of the primordial or unmodified consciousness, which is the Adi-Kaya. And the power of this, shining unobstructedly, will radiate everywhere; it is the Spy forummana-Kaya.

These refer to the fundamental Wisdom Teachings of the Bardo Thodol. In all Tibetan systems of yoga, realization of the Voidness is the one great aim. To realize it is to attain the unconditioned Dharma-Kaya, or "Divine Body of Truth," the primordial state of uncreatedness, of the supra-mundane All-Consciousness. The Dharma-Kaya is the highest of the three bodies of the Buddha and of all Buddhas and beings who have perfect enlightenment. The other two bodies are the Sambhoga-Kaya or "Divine Body of Perfect Endowment" and the Spy forummana-Kaya or "Divine Body of Incarnation." Adi-Kaya is synonymous with Dharma-Kaya. The Dharma-Kaya is primordial, formless Essential Wisdom; it is true experience freed from all error or inherent or accidental obscuration. It includes both Spy forumvana and Sangsara, which are polar states of consciousness, but in the realm of pure consciousness identical. The Sambhoga-Kaya embodies, as in the five Dhyani Buddhas, Reflected or Modified Wisdom; and the Spy forummana-Kaya embodies, as in the Human Buddhas, Practical or Incarnate Widom. All enlightened beings who are reborn in this or any other world with full consciousness, as workers for the betterment of their fellow creatures, are said to be Spy forummana-Kaya incarnates. Lama Kazi Dawa-Samdup, the translator of the Bardo Thodol, held that the Adi-Buddha, and all deities associated with the Dharma-Kaya, are not to be regarded as personal deities, but as personifications of primordial and universal forces, laws or spiritual influences. "In the boundless panorama of the existing and visible universe, whatever shapes appear, whatever sounds vibrate, whatever radiances illuminate, or whatever consciousnesses cognize, all are the play of manifestation in the Tri-Kaya, the Three-fold Principle of the Cause of All Causes, the Primordial Trinity. Impenetrating all, is the All-Pervading Essence of Spirit, which is Mind. It is uncreated, impersonal, self-existing, immaterial and indestructible." The Tri-Kaya is the esoteric trinity and corresponds to the exoteric trinity of Buddha, the Scriptures and the Priesthood (or your own divinity, this manual and your companions).

If the voyager is struggling with guilt and penance hallucinations, the Instructions for Judgment Visions may be read.


[glow=red,2,300]V. Sexual Visions[/glow]
Sexual visions are extremely frequent during the Third Bardo. You may see or imagine males and females copulating. [According to Jung. ("Psychological Commentary" to The Tibetan Book of the Dead, Evans-Wentz edition, p. xiii), "Freud's theory is the first attempt made in the West to investigate, as if from below, from the animal sphere of instinct the psychic territory that corresponds in Tantric Lamaism to the Sidpa Bardo." The vision described here, in which the person sees mother and father in sexual intercourse, corresponds to the "primal scene" in psychoanalysis. At this level, then, we begin to see a remarkable convergence of Eastern and Western psychology. Note also the exact correspondence to the psychoanalytic theory of the Oedipus Complex.] This vision may be internal or it may involve the people around you. You may hallucinate multi-person orgies and experience both desire and shame, attraction and disgust. You may wonder what sexual performance is expected of you and have doubts about your ability to perform at this time.
When these visons occur, remember to withhod yourself from action or attachment. Have faith and float gently with the stream. Trust in the unity of life and in your companions.

If you attempt to enter into your old ego because you are attracted or repulsed, if you try to join or excape from the orgy you are hallucinating, you will re-enter on an animal or neurotic level. If you become conscious of "malness," hatred of the father together with jealousy and attraction towards the mother will be experienced; if you become conscious of "femaleness," hatred of the mother together with attraction and fondness for the father is experienced.

It is perhaps needless to say that this kind of self-centered sexuality has little in common with the sexuality of transpersonal experiences. Physical union can be one expression or manifestation of cosmic union.

Visions of sexual union may sometimes be followed by visions of conception - you may actually visualize the sperm uniting with the ovum - , of intra-uterine life and birth through the womb. Some people claim to have re-lived their own physical birth in psychedelic sessions and occasionally confirming evidence for such claims has been put forward. Whether this is so or not may be left as a question to be decided by empirical evidence. Sometimes the birth visions will be clearly symbolic - e.g., emergence from a cocoon, breaking out of a shell <?>, etc.

Whether the birth vision is constructed from memory or fantasy, the psychedelic voyager should try to recognize the signs indicating the type of personality that is being reborn.

The Instructions for Sexual Visions may be read to the voyager who is struggling with sexual hallucinations.


[glow=red,2,300]VI. Methods for Preventing the Re-Entry[/glow]
Although many confrontations and recognition points have been given, the person may be ill-prepared and still be wandering back to game reality. It is of advantage to postpone the return for as long as possible, thus maximizing the degree of enlightenment in the subsequent personality. For this reason four meditative methods are given for prolonging the ego-loss state. They are (1) meditation on the Buddha or guide; (2) concentration on good games; (3) meditation on illusion; and (4) meditation on the void. See the Four Methods of Preventing Re-entry. Each one attempts to lead the voyager back to the First Bardo central stream of energy from which he has been separated by game involvements. One may ask how these meditative methods, which seem difficult for the ordinary person, can be effective. The answer given in the Tibetan Bardo Thodol is that due to the increased suggestibility and openness of the mind in the psychedelic state these methods can be used by anyone, regardless of intellectual capacity, or proficiency in meditation.

[glow=red,2,300]VII. Methods of Choosing the Post-Session Personality[/glow]
Choosing the post-session ego is an extremely profound art and should not be undertaken carelessly or hastily. One should not return fleeing from hallucinated tormentors. Such re-entry will tend to bring the person to one of the three lower levels. One should first banish the fear by visualizing one's protective figure or the Buddha; then choose calmly and impartially.
The limited foreknowledge available to the voyager should be used to make a wise choice. In the Tibetan tradition each of the levels of game-existence is associated with a particular color and also certain geographical symbols. These may be different for twentieth-century Westerners. Each person has to learn to decode his own internal road map. The Tibetan indicators may be used as a starting point. The purpose is clear: one should follow the signs of the three higher types and shun those of the three lower. One should follow light and pleasant visions and shun dark and dreary ones.

The world of saints (devas) is said to shine with a white light and to be preceded by visions of delightful temples and jewelled mansions. The world of heroes (asuras) has a green light and is signalled by magical forests and fire images. The ordinary human world has a yellow light. Animal existence is foreshadowed by a blue light and images of caves and deep holes in the earth. The world of neurotics or unsatisfied spirits has a red light and visions of desolate plains and forest wastes. The hell world emits a smoke-colored light and is preceded by sounds of wailing, visions of gloomy lands, black and white houses and black roads along which you have to travel. <?>.

Use your foresight to choose a good post-session robot. Do not be attracted to your old ego. Whether you choose to pursue power, or status, or wisdom, or learning, or servitude, or whatever, choose impartially, without being attracted or repelled. Enter into game existence with good grace, voluntarily and freely. Visualize it as a celestial mansion, i.e., as an opportunity to exercise game-ecstasy. Have faith in the protection of the deities and choose. The mood of complete impartiality is important since you may be in error. A game that appears good may later turn out to be bad. Complete impartiality, freedom from want or fear, ensure that a maximally wise choice is made.

As you return you see spread out before you the world, your former life, a planet full of fascinating objects and events. Each aspect of the return trip can be a delightful discovery. Soon you will be descending to take your place in worldly events. The key to this return voyage is simply this: take it easy, slowly, naturally. Enjoy every second. Don't rush. Don't be attached to your old games. Recognize that you are in the re-entry period. Do not return with any emotional pressure. Everything you see and touch can glow with radiance. Each moment can be a joyous discovery.

[glow=red,2,300]Here end the Third Bardo, The Period of Re-Entry[/glow]

[Soothsayer]

The Tibetan Book of the Dead
First Bardo: The Period of Ego-Loss or Non-Game Ecstasy (Chikhai Bardo)Second Bardo: The Period of Hallucinations (Chonyid Bardo)Third Bardo: The Period of Re-Entry (Sidpa Bardo)

General Conclusion
Well-prepared students with advanced spiritual understanding can use the "Transference" principle at the moment of ego-death and need not traverse subsequent Bardo states. They will rise to a state of illumination and remain there throughout the entire period. Others, who are a little less experienced in spiritual discipline, will recognize the Clear Light in the second stage of the First Bardo and will then win liberation. Others, at a still less advanced level, may be liberated while experiencing one of the positive or negative visions of the Second Bardo. Since there are several turning points, liberation can be obtained at one or the other through recognition at moments of confrontation. Those of very weak karmic connection, i.e., those who have been involved in heavy ego-dominated game-playing, will have to wander downwards to the Third Bardo. Again, many points for liberation have been charted. The weakest persons will fall under the influence of guilt and terror. For weaker persons there are various graded teachings for preventing the return to routine-reality, or at least for choosing it wisely. Through applying the methods of visualization described, they should be able to experience the benefits of the session. Even those persons whose familiar routines are primitive and egocentric can be prevented from entering into misery. Once they have experienced, for however short a period, the great beauty and power of free awareness, they may, in the next period, meet with a guide or friend who will initiate them further into the way.
The way in which this teaching is effective, even for a voyager already in the Sidpa Bardo, is as follows: each person has some positive and some negative game-residues (karma). The continuity of consciousness has been broken by an ego-death for which the person was not prepared. The teachings are like a trough in a broken water drain, temporarily restoring the continuity with positive karma. As stated before, the extreme suggestibility or detached quality of consciousness in this state ensures the efficacy of listening to the doctrine. The teaching embedded in this Manual may be compared to a catapult which can direct the person towards the goal of liberation. Or like the moving of a big wooden beam, which is so heavy that a hundred men cannot carry it, but by being floated on water it can be easily moved. Or it is like controlling a horse's bit and course by the use of a bridle.

Therefore, these teachings should be vividly impressed on the voyager, again and again. This Manual may also be used more generally. It should be recited as often as possible and committed to memory as far as possible. When ego-death or final death comes, recognize the symptoms, recite the Manual to yourself, and reflect upon the meaning. If you cannot do it yourself, ask a friend to read it to you. There is no doubt as to its liberative power.

It liberates by being seen or heard, without need of ritual or complex meditation. This Profound Teaching liberates those of great evil karma through the Secret Pathway. One should not forget its meaning and the words, even though pursued by seven mastiffs. By this Select Teaching, one obtains Buddhahood at the moment of ego-loss. Were the Buddhas of past, present and future to seek, they could not find any doctrine transcending this.

]Here ends the Bardo Thodol,
known as The [glow=red,2,300]Tibetan Book of the Dead [/glow]

[Soothsayer]

8

[byrdsmaniac]

Across the Universe

Words are flying out like
endless rain into a paper cup
They slither while they pass
They slip away across the universe
Pools of sorrow waves of joy
are drifting thorough my open mind
Possessing and caressing me

Jai guru deva om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Images of broken light which
dance before me like a million eyes
That call me on and on across the universe
Thoughts meander like a
restless wind inside a letter box
they tumble blindly as
they make their way across the universe

Jai guru deva om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world

Sounds of laughter shades of life
are ringing through my open ears
exciting and inviting me
Limitless undying love which
shines around me like a million suns
It calls me on and on across the universe

Jai guru deva om
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Nothing's gonna change my world
Jai guru deva
Jai guru deva
(end)


Just a note: The dark blue print is unreadable on my computer. Can you change it to Lime Green with Bold lettering?[/b]

[Soothsayer]

sure BM, no probs.

[LUCY]

Thank you SO much Soothsayer.......quite a post.....quite a different road trip this weekend..........so much to digest, may take a three or four day weekend with all this fantastic info........breakfast TUESDAY, ay Lucy's, my treat for you!

[Soothsayer]

You're v.welcome, Luce, glad you found it interesting, sorry it's a bit lengthy; couldn't find any working links.. Got some more info on this topic, will try & post tomorrow, want to link it with the 'Twin Freaks' thread.. In Sooth, am totally knackered. TTFN. xx

[LUCY]

soothsayer said:

You're v.welcome, Luce,

.....Hope I'm not a latent Satanist quite ..........yet................. ............Luce, Luce C., Lucille (BB KING), Henry Luce, Luce Irigaray, Maximilien Luce ( very nice art)http://cgfa.sunsite.dk/l/p-luce4.htm ,



but MY favorite LUCE is www.luceristorante.net/dinner.htm, .....ok.....................well, who knows?..................

[byrdsmaniac]

"John browsed around the shop......
I found him a copy of The Portable Neitzche and showed him a copy of The Psychedelic Experience, Dr. Timothy Leary's psychedelic version of The Tibetan Book of the Dead that had just come in. John was delighted and curled up with the book on the old settee we had in the middle of the shop (a few customers came in and were astonished to see who it was). Right away, on page 14 of Leary's introduction, he read, "Whenever in doubt, turn off your mind, relax, float downstream." They were Leary instructions on how to take a trip: "Do not fear it./Surrender to it./Join it./It is part of you./You are part of it./Remember also: Beyond the restless flow of electricity of life is the ultimate reality - The Void." To that point Lennon had taken LSD no more than three times, but a seed had been sown......"
"Meanwhile , when The Beatles gathered at Brian Epstein's house in Belgravia to discuss the upcoming album and premiere new material for George Martin, The Void had become a song."

from: "The Tripping Point", Mojo magazine, July 2006, p.76.
I believe the author is Robert Whitaker.

TOMORROW NEVER KNOWS
Lennon/McCartney

"Turn off your mind, relax
and float down stream
It is not dying
It is not dying

Lay down all thought
Surrender to the void
It is shining
It is shining

That you may see
The meaning of within
It is being
It is being

That love is all
And love is everyone
It is knowing
It is knowing

That ignorance and hate
May mourn the dead
It is believing
It is believing

But listen to the
color of your dreams
It is not living
It is not living

Or play the game
existence to the end
Of the beginning
Of the beginning
Of the beginning
Of the beginning
Of the beginning
Of the beginning"
(end)

[Soothsayer]

It's all here in my opinion, THE most significant clue to date., given by JPM directly. Very sad when you hear the excitement and anticipation in the tone of JPM's words at that final press conference.. Obviously he (& the other Beatles), didn't anticipate the tragic turn of events that would spiral out of control, and ultimately lead to his replacement, and spiritual/physical demise. He entered into something, that he naively thought would benefit both himself, & ultimately the group, unaware that the 'powers that be' were waiting in the wings, (no pun intended), to exploit and manipulate what should have been an enlightening 'spiritual' experience, into a dark and terrible tragedy. No wonder John was mad, he had every right to be.. God Bless you John & JPM. [glow=red,2,300]YOU STILL SHINE ON[/glow].

[LUCY]

soothsayer said:

It's all here in my opinion, THE most significant clue to date., given by JPM directly. Very sad when you hear the excitement and anticipation in the tone of JPM's words at that final press conference.. Obviously he (& the other Beatles), didn't anticipate the tragic turn of events that would spiral out of control, and ultimately lead to his replacement, and spiritual/physical demise. He entered into something, that he naively thought would benefit both himself, & ultimately the group, unaware that the 'powers that be' were waiting in the wings, (no pun intended), to exploit and manipulate what should have been an enlightening 'spiritual' experience, into a dark and terrible tragedy. No wonder John was mad, he had every right to be.. God Bless you John & JPM. [glow=red,2,300]YOU STILL SHINE ON[/glow].

So Billy just (second ) married his MIRROR image, one could say, with in reason...........manifestation of internal dramas?



.....just meandering.

Thank you Sooth, John & Paul.....for bringing it all to our attention.